Cliquer sur une vignette pour aller sur Google Books.
Chargement... SaltWaterpar Lane Ashfeldt
Aucun Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. aucune critique | ajouter une critique
SaltWater is a collection of more than a dozen short stories, set in a sweep of coastal areas around the world, from Sherkin Island in County Cork to the faraway shores of New Zealand. Taking place against a backdrop of foam and brine, of shipwrecks and storms, the stories are often inspired by real events, both contemporary and historical. Veering between family tragedy, the excitement of teen love and short, sharp observations of daily life, SaltWater brings to life the rich tapestry of the human experience. Included in this collection are several stories that have been shortlisted for or have won fiction prizes. 'Catching the Tap-Tap to Cayes de Jacmel' won the Global Short Story Prize, UK. 'Dancing on Canvey' won the Fish Short Histories Prize, Ireland. 'SaltWater' was shortlisted for the HG Wells Prize, UK. This collection, SaltWater, was longlisted for the 2014 Frank O'Connor Short Story prize. Aucune description trouvée dans une bibliothèque |
Discussion en coursAucun
Google Books — Chargement... GenresClassification décimale de Melvil (CDD)823.92Literature English English fiction Modern Period 2000-Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
Est-ce vous ?Devenez un(e) auteur LibraryThing. |
This collection of short stories, connected loosely by a saltwater motif that seeps through each narrative, was lovely to wade through. Ashfeldt has a way with sensory details and although the villages, cities, and oceans we visited were foreign to me, I felt she was familiar with, and emotionally connected to, each place.
I also appreciated how each story stood alone, yet characters from one place or time would show up in another. The last line of the book reads, “So calm and perfect they look as if nothing bad can ever touch them”—and that’s a good summary of my feeling after reading. Though Ashfeldt tackles some hard, sorrowful things—a sister drowning during what should be a celebratory evening, the unexplained disappearance of a lover, the sometimes confusing clashes of generations and cultures—the stories, like the sea itself, leave you with a sense that each individual we’ve met will carry on and survive, despite—or maybe even because of—what they’ve experienced. ( )