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419 par Ferguson; Will
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419 (édition 2013)

par Ferguson; Will (Auteur)

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6055039,256 (3.68)119
A car tumbles through darkness down a snowy ravine. A woman without a name walks out of a dust storm in Africa. And in the seething heat of Lagos City, a criminal cartel scours the Internet, looking for victims. Lives intersect. Worlds collide. And it all begins with a single email: 'Dear Sir, I am the daughter of a Nigerian diplomat, and I need your help ... ' At once a chilling thriller about a lonely woman avenging her father's death and an epic portrait of morality and corruption across the globe, Will Ferguson's Giller Prize-winning novel plunges into the labyrinth of li.… (plus d'informations)
Membre:Tennillenash
Titre:419
Auteurs:Ferguson; Will (Auteur)
Info:Penguin (2013), Edition: UK Airports ed
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419 par Will Ferguson

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Excellent ( )
  Danielec | Feb 24, 2013 |
So what to make of 419? Surely, talented authors should stretch their bounds. Ferguson can do many things, from travel writing to joke-telling to satire. What he can’t do is present believable earnestness. As an artist, 419 plays to all of his faults, and few of his talents. He has attempted to test himself by writing an international tragedy in the vein of Michael Ondaatje, but has imported many more of Ondaatje’s excesses than achievements.
 
The novel is further enlivened by sharp dialogue and imagery. Looking out from her apartment window at Calgary’s crane-crowned winter skyline, Laura sees “a city that was constantly erasing and rewriting itself. A cold city, exhaling steam.” Later, Nnamdi remembers the day the men from the oil company suddenly emerged from the dense mangrove thickets to stake the villagers’ ancestral land: “More and more men boiled out of the [jungle] gap like ants.”

But too often, especially in the novel’s first half, the prose reveals a talented author working against the instincts and storytelling gifts that served him so well in his other works. Hopefully Ferguson finds equally compelling material to work with in his next novel, be it comic or otherwise, and this time trusts his gut a little more.
ajouté par vancouverdeb | modifierQuill and Quire
 
Until Ferguson’s characters move toward inevitable confrontations in Lagos, 419 suffers some drag. But from roughly page 187 on, you won’t sleep until you finish, and then rest won’t come easily. Riveting. Provocative.
 
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"Four one nine is not a game, it is a contest of wills," Ironsi-Egobia continued. "It is Nigerian cunning versus oyibo greed, and in such a tussle, cunning always has the advantage. Why? Because greed clouds men's eyes, fogs their gaze. Cunning focuses it. We are tax collectors, Adam. We charge a tax on greed. We should be congratulated, not prosecuted, and yet it is we who are called the criminals. Criminals! They talk about Nigeria's 'culture of corruption.' What of Europe's 'culture of greed'? What of America's? What of these oyibos agreeing to schemes that are so clearly illegal, were they to be true? Moving millions of dollars out of a poverty-stricken nation, profiteering on Nigeria's hardships? Are the mugus not criminals too? Aspiring criminals, but criminals still. Are they not accomplices as much as they are victims? This is what the fools at the EFCC fail to see."
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A car tumbles through darkness down a snowy ravine. A woman without a name walks out of a dust storm in Africa. And in the seething heat of Lagos City, a criminal cartel scours the Internet, looking for victims. Lives intersect. Worlds collide. And it all begins with a single email: 'Dear Sir, I am the daughter of a Nigerian diplomat, and I need your help ... ' At once a chilling thriller about a lonely woman avenging her father's death and an epic portrait of morality and corruption across the globe, Will Ferguson's Giller Prize-winning novel plunges into the labyrinth of li.

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