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The Great Indoors

par Sabine Durrant

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1243222,855 (3.21)2
It's not that Martha Bone doesn't like children. It's more that they don't fit into her world: her shop, with its succession of beautiful distressed antiques; her flat, with its creamy sofa, its unwashable linen scatter-cushions, its aura of oatmeal and sand. Her sisters don't understand how she can live her life as she does, shut away like that, so emotionally enclosed, but Martha smoothes the Durham quilt on her Victorian cast-iron bed and thinks everything looks just fine. More than fine. Perfect. But then things start happening. A death. A cat. A girl with chocolately fingers. A box of old letters. The re-emergence of an old boyfriend. Martha begins to investigate her past and discovers you can only paper over the cracks for so long.… (plus d'informations)
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» Voir aussi les 2 mentions

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I liked this novel. It maintains a very quiet atmosphere throughout the whole novel. It is almost like it is all in a sort of soft focus and the sound is dampened by a particularly lovely shabby chic comforter.

The story is a little melancholy - it starts with a death in the family and that continues to be the touch point that drives the plot forward even thought there are plenty of other things going as well.

I liked the protagonist well enough - though I can't say that I identified with her. Sometimes I felt like the author was really underlining her shortcomings in order to make sure everyone understood her flaws. I didn't feel I needed quite so much reminding of her negatives and would have liked some more reason to be sympathetic towards her.

All in all though - I enjoyed this book - it wasn't particularly unpredictable but I enjoyed its pace and its mood. ( )
  alanna1122 | Jun 26, 2013 |
This book started off ok, but it got boring after a while, and I hated the ending. ( )
  26kathryn | Jun 25, 2013 |
Martha Bone loves her "things." She is single, no children, and lives in an apartment above the antiques shop she owns. Martha's life changes drastically when her stepfather dies and she is put in charge of finding a home for his orphaned cat. Eventually, she has to make a decision between real life and things. This was an enjoyable read, a step above the usual chick lit. ( )
  CatieN | Jun 14, 2010 |
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It's not that Martha Bone doesn't like children. It's more that they don't fit into her world: her shop, with its succession of beautiful distressed antiques; her flat, with its creamy sofa, its unwashable linen scatter-cushions, its aura of oatmeal and sand. Her sisters don't understand how she can live her life as she does, shut away like that, so emotionally enclosed, but Martha smoothes the Durham quilt on her Victorian cast-iron bed and thinks everything looks just fine. More than fine. Perfect. But then things start happening. A death. A cat. A girl with chocolately fingers. A box of old letters. The re-emergence of an old boyfriend. Martha begins to investigate her past and discovers you can only paper over the cracks for so long.

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