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The Alphabet of Desire

par Barbara Hamby

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In this sublime and imposing book of poetry, Barbara Hamby races through the circuitous regions of Heaven and Hell, desire and love, giving shape and significance to the strange and the familiar. Her book ignites with a proclamation, "In the beginning was the word, fanning out into syllables, like a deck of cards on a table in Vegas, lovely leafy parts fluttering into atoms and cells, genus and phylum, nouns and verbs;" an easy metaphor for her intoxicating linguistic machinations. Hamby's roaming, inquisitive mind reels in the reader, "I'm persuaded the day will come when I'll lie static as a falcon in a hunter's sack, fragments of iron studding my reckless breast." Not limited to the self-referential, Hamby playfully references historic and literary personae, taking stabs at Shakespeare, Jane Austen, the Bible and Casanova. "Who wouldn't," she challenges us, "give anything for the voice of an angel and wings to fly above the rough dirt of birth?"… (plus d'informations)
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Barbara Hamby's The Alphabet of Desire is simply a bonanza of musicality, sexuality and honesty. It contains a myriad of allusions to everything from Jane Austen to Daffy Duck, but never hides behind false style or framework. The section actually titled "The Alphabet of Desire" has poems ordered by title alphabetically (one for each letter) and the lines of each are also structured alphabetically (though, somehow, I didn't notice this until I got to the poem for the letter O....way to be paying attention, Lauren. Wayyyy to go.) This structure feels a little forced (how many words can you really use that start with x and z?) but satisfying all the same.

But the last section of the collection was my favorite - her Italian Odes. Ripe with colloquialism, full of wit and bright with realism. These were the poems that seemed closest to her heart - those which were the most real to her and, therefore, the most real to me.

Lauren Cartelli
www.theliterarygothamite.com ( )
  laurscartelli | Jun 23, 2010 |
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In this sublime and imposing book of poetry, Barbara Hamby races through the circuitous regions of Heaven and Hell, desire and love, giving shape and significance to the strange and the familiar. Her book ignites with a proclamation, "In the beginning was the word, fanning out into syllables, like a deck of cards on a table in Vegas, lovely leafy parts fluttering into atoms and cells, genus and phylum, nouns and verbs;" an easy metaphor for her intoxicating linguistic machinations. Hamby's roaming, inquisitive mind reels in the reader, "I'm persuaded the day will come when I'll lie static as a falcon in a hunter's sack, fragments of iron studding my reckless breast." Not limited to the self-referential, Hamby playfully references historic and literary personae, taking stabs at Shakespeare, Jane Austen, the Bible and Casanova. "Who wouldn't," she challenges us, "give anything for the voice of an angel and wings to fly above the rough dirt of birth?"

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