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Flies (Lannan Literary Selections)

par Michael Dickman

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"Hilarity transfiguring all that dread, manic overflow of powerful feeling, zero at the bone--Flies renders its desolation with singular invention and focus and figuration: the making of these poems makes them exhilarating."--James Laughlin Award citation "Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."--The New Yorker "These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."--The Believer Winner of the James Laughlin Award for the best second book by an American poet,Flies presents an uncompromising vision of joy and devastating loss through a strict economy of language and an exuberant surrealism. Michael Dickman's poems bring us back to the wonder and violence of childhood, and the desire to connect with a power greater than ourselves. What you want to remember of the earth and what you end up remembering are often two different things Michael Dickman was born and raised in Portland, Oregon. His first book of poems,The End of the West, appeared in 2009 and became the best-selling debut in the history of Copper Canyon Press. His poems appear frequently inThe New Yorker, and he teaches poetry at Princeton University.… (plus d'informations)
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Publishers Weekly said this award-winning book was "deliberately awkward." I agree with the awkward part. It reads like much undergraduate verse I have read, undisciplined, lacking craft, trying to shock with naughty words. ( )
  dasam | Jun 21, 2018 |
Michael Dickman‘s Flies, published in 2011 and a possible candidate for the Indie Lit Awards if it is nominated in September, won the Academy of American Poets James Laughlin Award, which is the only award for a second book of poetry. The collection is a dark look at family, but also takes a stark look at death and loss. However, there are lighter moments in the book, like in “Emily Dickinson to the Rescue” (page 21) that was highlighted in the Virtual Poetry Circle (http://savvyverseandwit.com/2011/07/105th-virtual-poetry-circle.html).

Beneath the whimsical wordplay and imagery of playgrounds and imaginary friends, there is a deep sense of unrest and yet acceptance of how things have turned out, though the narrator has many regrets. In “Imaginary Playground” (page 27), the narrator is playing alone with his imaginary friends, but as the scene fills in, it is clear that where there once were trees and places to play, there is concrete and change. The narrator is nostalgic for those moments, even if they were solitary moments with imaginary friends — wishing there was a way to return to the innocence of childhood and the creativity that period imbued. “The swing sets/aren’t really/there// . . . On the blacktop/we lie down in each other’s arms/and outline our bodies/in chalk// . . . There are no hiding places anymore//” (page 27-9)

Read the full review beginning Aug. 4: http://savvyverseandwit.com/2011/08/flies-by-michael-dickman.html ( )
  sagustocox | Aug 3, 2011 |
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"Hilarity transfiguring all that dread, manic overflow of powerful feeling, zero at the bone--Flies renders its desolation with singular invention and focus and figuration: the making of these poems makes them exhilarating."--James Laughlin Award citation "Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."--The New Yorker "These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."--The Believer Winner of the James Laughlin Award for the best second book by an American poet,Flies presents an uncompromising vision of joy and devastating loss through a strict economy of language and an exuberant surrealism. Michael Dickman's poems bring us back to the wonder and violence of childhood, and the desire to connect with a power greater than ourselves. What you want to remember of the earth and what you end up remembering are often two different things Michael Dickman was born and raised in Portland, Oregon. His first book of poems,The End of the West, appeared in 2009 and became the best-selling debut in the history of Copper Canyon Press. His poems appear frequently inThe New Yorker, and he teaches poetry at Princeton University.

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