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Chargement... Peggypar Laura E. Richards
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Laura Elizabeth Howe Richards (1850-1943) was born in Boston, Massachusetts, to a high-profile family. During her life, she wrote over 90 books, including children's, biographies, poetry, and others. A well-known children's poem for which she is noted is the literary nonsense verse Eletelephony. In 1917, she won a Pulitzer Prize for The Life of Julia Ward Howe, a biography, which she coauthored with her sister, Maud Howe Elliott. Among her most famous works are: Queen Hildegarde (1889), Captain January (1890), Melody (1893), Marie (1894), Hildegarde's Neighbors (1895), Nautilus (1895), Three Margarets (1897), Geoffrey Strong (1901), The Green Satin Gown (1903) and The Silver Crown: Another Book of Fables (1906). Aucune description trouvée dans une bibliothèque |
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I enjoyed this third entry in The Margaret Series immensely, and found that I had far more affection for Peggy, as she is portrayed in this book, than I did when I first encountered her in Three Margarets. I liked the fact that she is a mix of strength and weakness, of virtue and flaw - she is a bit of a dunce at rhetoric, but an accomplished mathematician; she sometimes needs to run away and have a cry, but will forget her own troubles, in sticking up for others - as this makes her an engaging heroine, both sympathetic and realistic. Many common school story themes - the despised outsider who becomes an important member of the student body (this role seems often to have been fulfilled by girls from various Commonwealth nations, in the British school story, and Peggy's status as a westerner seems to function in a similar fashion in this American example of the genre); the rebellious "wild girl" who really has a heart of gold, if she can just be reached by well-meaning staff and fellow pupils; the saintly headmistress (or Principal, in this case) who always seems to know her girls, even if she has never spoken to them before; the importance placed on the honor of the school; and the obligatory accident/illness which leads to a resolution of some crisis, or brings about either reformation or justice - are to be seen here, and made the reading experience quite entertaining. I also appreciated the fact that there is more crossover in Peggy with the characters from Richards' Hildegarde Series, not just in the figure of Gertrude Merryweather (first seen in Hildegarde's Neighbors), but in the chapter devoted to describing Hildegarde's wedding to Roger Merryweather.
All in all, this was a strong follow-up to Three Margarets and Margaret Montfort - I even found the conclusion, despite its rather heavy-handed moralizing, poignant. I look forward to becoming better acquainted with the third and last Margaret Montfort, in Rita! ( )