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The Man with Two Wives (1955)

par Patrick Quentin

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Séries: Timothy Trant (6)

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A chance meeting with an ex throws a man's current marriage into turmoil, from the author "in the very first line of detective-story writers" (Sphere).   On the surface, Bill Harding has landed on his feet. After failing as a writer and having his first wife desert him and their son, he remarried into a family of wealth and power. His "perfect" new wife is renowned for her charity work, and her father's publishing empire provides Bill with a job, a ritzy Manhattan apartment, and a glamorous lifestyle.   All is well until Bill runs into his beautiful ex. Though she's in a sorry state, Bill pushes the thought of her out of his mind. The last thing he expects is to see her again, but her sordid life soon creeps into his rarefied world, bringing with it murder.   Now, the more steps Bill takes to protect himself and his marriage, the more the truth is obscured. Bill's own shortcomings come to light, as well as the secrets of a dysfunctional family. With Det. Timothy Trant on the case, Bill must make a decision that could ruin everything--and strip away the lies that have engulfed them all . . .   "This is a fine mid-century detective novel, the essence of a page turning thriller, but one which neglects neither clueing nor characterization." --The Passing Tramp    "Svelte." --Kirkus Reviews   The basis for the 1967 Japanese film Tsuma Futari ("Two Wives"), directed by Yasuzo Masamura  … (plus d'informations)
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"The Man with Two Wives" is the story of Bill Harding, one-time novelist and now publishing manager working for his father-in-law, the head of a large publishing empire. The web of relationships and circumstances in the novel are fairly complex for a book this size--too complex to really do it justice with a short synopsis. But what the hell, I'm going to try anyway.

Bill was once married to Angelica, whom he married shortly after publishing his first book. They had a tumultuous love affair, along with a child, and got divorced three years later. Shortly afterward bill met and married Betsy, dowdy daughter of C.J. Callingham, the publishing emperor mentioned earlier. Another struggling (and physically abusive) novelist is dating both Bill's ex-wife and C.J.'s other daughter, Bill's sister-in-law. When said artist winds up murdered, Bill finds himself in an increasingly tangled web of lies as he tries to balance protecting his ex-wife (whom he still loves) and saving his sister-in-law, upon which his meal ticket depends. Eventually he decides to tell the truth, and in doing so puts his family and job on the line. But even when he does, he finds that no one believes him, which leaves it up to Billy-boy to discover who the real murderer is. There's a little more to it than that, but overall that's the gist.

Anyhow, anyone who knows me knows that I love this type of book. It's your typical 1950s-60s crime story involving an innocent, unlikely protagonist thrown into a murder investigation the police are two incompetent to solve. Also a hallmark of the genre are Bill's rampant fears and musings, the inner turmoil over who he really loves, whether he should be a lap dog to his father-in-law or not, and angst over when the police are going to come after him. It actually gets kind of annoying after a while, but after a hundred pages or so most of that goes away. Overall, though, it's pretty typical for the genre and period. There's nothing new or innovative here, but that isn't to say it doesn't have any value. I enjoyed it quite a lot, but then again, I like the genre. I like the clean, distinct language. I like the characterizations and the plots. I *really* like the cover art. It straddles the line between the Golden Age of Detective Fiction and the pulp sleaze crime novels I love so much. For other readers the mileage may vary, but for me it was a fast, enjoyable read. That's why I gave it 3 1/2 stars. ( )
1 voter WillyMammoth | Feb 18, 2011 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Patrick Quentinauteur principaltoutes les éditionscalculé
Olson, E. W.Traducteurauteur secondairequelques éditionsconfirmé

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A chance meeting with an ex throws a man's current marriage into turmoil, from the author "in the very first line of detective-story writers" (Sphere).   On the surface, Bill Harding has landed on his feet. After failing as a writer and having his first wife desert him and their son, he remarried into a family of wealth and power. His "perfect" new wife is renowned for her charity work, and her father's publishing empire provides Bill with a job, a ritzy Manhattan apartment, and a glamorous lifestyle.   All is well until Bill runs into his beautiful ex. Though she's in a sorry state, Bill pushes the thought of her out of his mind. The last thing he expects is to see her again, but her sordid life soon creeps into his rarefied world, bringing with it murder.   Now, the more steps Bill takes to protect himself and his marriage, the more the truth is obscured. Bill's own shortcomings come to light, as well as the secrets of a dysfunctional family. With Det. Timothy Trant on the case, Bill must make a decision that could ruin everything--and strip away the lies that have engulfed them all . . .   "This is a fine mid-century detective novel, the essence of a page turning thriller, but one which neglects neither clueing nor characterization." --The Passing Tramp    "Svelte." --Kirkus Reviews   The basis for the 1967 Japanese film Tsuma Futari ("Two Wives"), directed by Yasuzo Masamura  

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