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This notable catalogue--the first English-language publication on the subject--highlights the art of the early period (1392-1592) of Korea's revolutionary Joseon dynasty. The Joseon rulers replaced the Buddhist establishment and re-created a Korean society informed on every level by Neo-Confucian ideals. They supported the production of innovative secular art inspired by past traditions, both native and from the broader Confucian world. Yet despite official policies, court-sponsored Buddhist art endured, contributing to the rich complexity of the early Joseon culture. The exquisite paintings, porcelain and other ceramics, metalware, and lacquerware featured in the book are drawn from the holdings of major Korean and Japanese museums, the collection of the Metropolitan Museum and other U.S. collections; and private collections. Many of the works have never been seen in the United States.… (plus d'informations)
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The lauded exhibition is concise with quality pieces that truly reflect the era. The pieces are integrated in this catalog with concise and brief, yet comprehensive histories of the kingships and mores of this period in approachable and at times compelling narratives by historians and art historians. An exceptional collection that is enhanced by this exceptional book.
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"The Joseon (1392-191o), Korea's last dynasty, represents the past in the Korean historical imagination. The dynasty lasted more than five hundred years, beginning at a time equivalent to the early Renaissance in Europe and ending in the modern era. Its tragic and humiliating demise produced a compromised image of Joseon that persisted until recently. Japan annexed Korea in 1910, while in the West an Orientalist gaze viewed Asian societies as historically stagnant and static. The Joseon, however, was a period of political stability, cultural accomplishment, and technological innovation. It was, most prominently, a society devoted to civil order and culture. (first essay, JaHyun Kim Haboush)
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This notable catalogue--the first English-language publication on the subject--highlights the art of the early period (1392-1592) of Korea's revolutionary Joseon dynasty. The Joseon rulers replaced the Buddhist establishment and re-created a Korean society informed on every level by Neo-Confucian ideals. They supported the production of innovative secular art inspired by past traditions, both native and from the broader Confucian world. Yet despite official policies, court-sponsored Buddhist art endured, contributing to the rich complexity of the early Joseon culture. The exquisite paintings, porcelain and other ceramics, metalware, and lacquerware featured in the book are drawn from the holdings of major Korean and Japanese museums, the collection of the Metropolitan Museum and other U.S. collections; and private collections. Many of the works have never been seen in the United States.
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