Cliquer sur une vignette pour aller sur Google Books.
Chargement... Les techniques narratives du cinéma : Les 100 plus grands procédés que tout réalisateur doit connaîtrepar Jennifer Van Sijll
Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. A good overview of some basic cinematic techniques, helpful in understanding what directors and screenwriters might be doing in film that we laypeople might not fully appreciate. ( ) aucune critique | ajouter une critique
"Dialog is one of the best known - and obvious - elements in a film. But the language of cinema is more subtle and sophisticated than dialog alone. From Metropolis to Kill Bill, this remarkable reference guide reveals 100 of the most potent storytelling tools of the film medium. It demonstrates how master screenwriters and directors depend on cinematic devices to pump up action, create characters, and energize a motion picture's plot. Cinematic Storytelling compresses 100 years of film history, outlining the important connection between film technique and storytelling. It shows how the purposeful use of film techniques like lighting, editing, and sound can evoke audience emotions like fear, hatred, or anger without a word of dialog. It demonstrates how character values and themes are expressed cumulatively over time and nonverbally. In this, the reader is given both the critical tools to better understand modern moviemaking and the creative tools to more fully exploit the dramatic potential of the medium."--BOOK JACKET. Aucune description trouvée dans une bibliothèque |
Discussion en coursAucunCouvertures populaires
Google Books — Chargement... GenresClassification décimale de Melvil (CDD)791.430233The arts Recreational and performing arts Public performances Film, Radio, and Television Film Techniques, procedures, apparatus... Supervision Film directionClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
Est-ce vous ?Devenez un(e) auteur LibraryThing. |