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Chargement... Jules et Jimpar François Truffaut (Director), Jean Gruault (Screenwriter), François Truffaut (Screenwriter)
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. In Paris, before WWI, two friends, Jules (Austrian) and Jim (French) fall in love with the same woman, Catherine. But Catherine loves and marries Jules. After the war, when they meet again in Germany, Catherine starts to love Jim... This is the story of three people in love, a love which does not affect their friendship, and about how their relationship evolves with the years.
Elliptical, full of wit and radiance, this is the best movie ever made about what most of us think of as the Scott Fitzgerald period (though the film begins much earlier); Truffaut doesn’t linger—nothing is held too long, nothing is overstated, or even stated. He explores the medium and plays with it. He overlaps scenes; uses fast cutting, in the manner of Breathless, and leaping continuity, in the manner of Zero for Conduct; changes the size and shape of the images, as Griffith did; pauses for Jeanne Moreau to sing a song (Boris Bassiak’s “Le Tourbillon”). Throughout, Georges Delerue’s music is part of the atmosphere; it’s so evocative that if you listen to it on the phonograph, it brings back the emotions and images—such as Jim and Catherine’s daughter rolling on a hill. Est contenu dansEst une adaptation de
Before World War I in Paris, a girl alternates between a French student, Jim, and a German student, Jules. After the war, they meet again and form a constantly shifting triangle. Aucune description trouvée dans une bibliothèque |
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