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City of Nets: A Portrait of Hollywood in the 1940's (1986)

par Otto Friedrich

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A dazzling social and cultural history of Hollywood's golden age  in the decade from World War II to the Korean War In 1939, fifty million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering. The 1940s became the decade of Hollywood's decline: anticommunist hysteria excommunicated some of its best talent, while a 1948 antitrust consent decree ended many of the business practices that had made the studio system so profitable. In this masterful work of cultural history, the legendary Otto Friedrich tells the story of Hollywood's heyday and decline in a vivid narrative featuring an all-star cast of the actors, writers, musicians, composers, producers, directors, racketeers, labor leaders, journalists, and politicians who played major parts in the movie capital during the turbulent decade from World War II to the Korean War. Friedrich draws on sources from celebrity biographies to trade-union history, mingling lively gossip with analysis of Hollywood's seedier business dealings and telling the stories of legendary movies such as Citizen Kane, The Maltese Falcon, Double Indemnity, and All About Eve. A classic portrait of a special place in a special time, City of Nets gives us a singular behind-the-scenes glimpse into a bygone era that still captivates our imaginations.… (plus d'informations)
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  cjordan916 | Oct 20, 2015 |
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People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public.... --- Adam Smith
Every morning, to earn my bread, /
I go to the market where lies are bought. /
Hopefully /
I take up my place among the sellers. /

--- Bertolt Brecht
It is not unusual in human beings who have witnessed the sack of a city or the falling to pieces of a people to desire to set down what they have witnessed for the benefit of unknown heirs or of generations infinitely remote; or, if you please, just to get the sight out of their heads. Someone has said that the death of a mouse from cancer is the whole sack of Rome by the Goths. --- Ford Madox Ford
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To Liesel and Molly
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In 1939, the year of Gone With the Wind, or Ninotchka, of Wuthering Heights and The Wizard of Oz, the leading moviemakers of Hollywood could with some justification regard themselves as conquering heroes. (Foreward)
To the Chamber of Horrors, says the sign.  (I, Welcome-1939)
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A dazzling social and cultural history of Hollywood's golden age  in the decade from World War II to the Korean War In 1939, fifty million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering. The 1940s became the decade of Hollywood's decline: anticommunist hysteria excommunicated some of its best talent, while a 1948 antitrust consent decree ended many of the business practices that had made the studio system so profitable. In this masterful work of cultural history, the legendary Otto Friedrich tells the story of Hollywood's heyday and decline in a vivid narrative featuring an all-star cast of the actors, writers, musicians, composers, producers, directors, racketeers, labor leaders, journalists, and politicians who played major parts in the movie capital during the turbulent decade from World War II to the Korean War. Friedrich draws on sources from celebrity biographies to trade-union history, mingling lively gossip with analysis of Hollywood's seedier business dealings and telling the stories of legendary movies such as Citizen Kane, The Maltese Falcon, Double Indemnity, and All About Eve. A classic portrait of a special place in a special time, City of Nets gives us a singular behind-the-scenes glimpse into a bygone era that still captivates our imaginations.

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