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Architecture of the Absurd: How "Genius" Disfigured a Practical Art

par John R. Silber

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"Have you ever wondered why the Guggenheim is always covered in scaffolding? Why the slashes on the exterior of Libeskind's Jewish Museum, supposed to represent Jewish life in prewar Berlin, reappear, for no reason, on his Royal Ontario Museum in Toronto? Or why Gehry's design for an MIT lab for sensitive research has glass walls? Not to mention why, for $44.2 per square foot, it doesn't keep out the rain? You're not alone." "In Architecture of the Absurd, John Silber dares to peek behind the curtain of "genius" architects and expose their willful disdain for their clients, their budgets, and the people who live or work inside their creations." "In his twenty-five years as President of Boston University, Dr. Silber oversaw a building program totaling more than 13 million square feet. Here he constructs an unflinching case, beautifully illustrated, against the worst trends in contemporary architecture. He challenges architects to derive creative satisfaction from meeting the practical needs of clients and the public. He urges the directors of our universities, symphony orchestras, museums, and corporations to stop financing inefficient, overpriced architecture, and calls on clients and the public to tell the emperors of our skylines that their pretensions cannot hide the naked absurdity of their designs."--Jacket.… (plus d'informations)
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» Voir aussi les 2 mentions

5 sur 5
critique of architects, such as Gehry, who put artistic vision ahead of client needs
  ritaer | Aug 18, 2021 |
President of Boston University for 25 years, the author surveys the miserable buildings foisted on the world by ego-driven architects. In 1951, as a faculty member at UT, he spoke on the topic of why their would never be an architecture of the absurd as in art and music, arguing that buildings were too expensive and structures had to meet the needs of the client. How wrong he was! This book is a treasure-trove of educated and often witty commentary on the reason why people run in terror from the idea of having an architect design their house or business building.
Who wants an ugly building with a leaky roof that costs millions and doesn't do what you need done?
On the plus side, Silber gives the client tools for dealing with idiot architects, and points out that most of the practitioners of the art of design DO want to build good buildings that work.
Read this in tandem with "How buildings learn" by Stewart Brand. ( )
2 voter booklog | Feb 7, 2009 |
The tone of the book is similar to what I hear Republicans defending their position and denouncing the evil liberals. On the one hand he thought that most of the work from Frank Ghery was absurd, but loved the Sydney Opera House, form does not follow function in either of them. Overall it was a quick read and has a few interesting points to be made.
  Andrewfm | Jul 20, 2008 |
I didn't actually read all of the text of this book but what I did read was interesting. There are two buildings that I didn't find listed that I was surprised weren't included - Hundertwasser in Prague and a funky "marshmallow" building in Tel Aviv (I don't know who was the architect). ( )
  cybrarian_wi | May 27, 2008 |
shelved at: 91 : Architecture
  mwbooks | May 19, 2022 |
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"Have you ever wondered why the Guggenheim is always covered in scaffolding? Why the slashes on the exterior of Libeskind's Jewish Museum, supposed to represent Jewish life in prewar Berlin, reappear, for no reason, on his Royal Ontario Museum in Toronto? Or why Gehry's design for an MIT lab for sensitive research has glass walls? Not to mention why, for $44.2 per square foot, it doesn't keep out the rain? You're not alone." "In Architecture of the Absurd, John Silber dares to peek behind the curtain of "genius" architects and expose their willful disdain for their clients, their budgets, and the people who live or work inside their creations." "In his twenty-five years as President of Boston University, Dr. Silber oversaw a building program totaling more than 13 million square feet. Here he constructs an unflinching case, beautifully illustrated, against the worst trends in contemporary architecture. He challenges architects to derive creative satisfaction from meeting the practical needs of clients and the public. He urges the directors of our universities, symphony orchestras, museums, and corporations to stop financing inefficient, overpriced architecture, and calls on clients and the public to tell the emperors of our skylines that their pretensions cannot hide the naked absurdity of their designs."--Jacket.

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