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"A fascinating story, rich in detail. In every case, Faunce portrays Lucrezia] believably, with wit and sensitivity."--Library Journal Hundreds of years after her death, Lucrezia Borgia remains one of the most enigmatic and notorious women of history, accused of incest, of poisoning her rivals, and even of murdering her own father. Born into scandal, she was the daughter of the treacherous Cardinal Roderigo Borgia, who would later be crowned Pope Alexander VI. When her father ascended the papal throne, young Lucrezia's life changed forever. From then on, Lucrezia would be unable to escape the political ambitions of her father and her brother, the bloodthirsty Cesare Borgia. In an era when the Vatican was as decadent and violent as any royal court, Lucrezia was its crown princess. Famed for her beauty, she was a valuable pawn in the marriage game, and Alexander VI would use her to create one alliance after another. When her kindly first husband no longer suited the Pope's needs, Lucrezia's virginity was restored by papal decree (her new maidenhood was declared "miraculous"), and she was married off again, this time to a man she truly loved, Alfonso, Prince of Naples. But her joy was short-lived. Alfonso loathed her brother and refused to participate in the Pope's imperial schemes, which threatened to tear apart the Vatican's political alliances--and Lucrezia's happy marriage. In this unforgettable debut, John Faunce perfectly captures the rotten decadence of the Borgias' papal court and the inner steel of Lucrezia Borgia, one of history's great survivors. "Fascinating...a searing portrait of an intelligent woman, cunning enough to shape her own bizarre destiny."--Booklist "From the Trade Paperback edition."… (plus d'informations)
A few years back, my scant knowledge of the Borgia family was watered with an excellent family portrait led by Cardinal Rodrigo Borgia. I knew some bits and pieces of bribery, murder, and out-right corruption, but the film opened my eyes as wide as you can imagine. I recently came across a fiction version of the family, Lucrezia Borgia by John Faunce. While I could not connect the film to Faunce’s novel, I read page after page that recalled many incidents in the film. I found it incredible that Rodrigo was able to thoroughly corrupt and kill many cardinals and other heads of state who did not bow to Pope Alexander VI.
Faunce’s version is narrated by Lucrezia, the daughter of Rodrigo and brother to the gold-obssessed Cesera Borgia. While Rodrigo was stocking the Vatican library with hundreds of thousands of manuscripts and books, the young Lucretia became curious and determined to learn to read and write Greek and Latin. Faunce writes, “Odd, I thought, how these paper and leather objects do so easily and pleasantly what the Inquisition’s fires, frequently fed with similar books, have never done. Ink puts out even hellfire. I pray, as daily I pick up my quill, this book before me might have such reforming powers for some other blond. Moonlight made my book reading slow and there were thousands of books. I couldn’t go the nights of the New Moon, since my reading lamp those nights had fled the sky. But I learned gradually to love the flipping pages of books, their smell, dust and everything about them” (48). More than 500 years ago, people had a reverence for paper and books.
The worst part of this corrupt crew involved Pope Alexander VI himself. Faunce writes, “Papa didn’t care much about Savonarola, Ascanio Sforza told me. // ‘Will the Medicis not toast me this quarrelsome priest”’ Papa’d said casually over bruschetta to the Florentine Ambassador. // ‘It would help our lawyers, Holiness, if you’d excommunicate him.’ // And. of course, he did. So they did, subjecting Savonarola to the ‘Trial by Fire,’ in which he was burned at the stake. The ‘Trial’ part being that if he were truly innocent, the fire shouldn’t burn him, of course. This seemed fair and satisfied everyone, including the subsequently incinerated monk himself” (99-100). The hypocrisy of this punishment is baffling. I cannot imagine the men who ordered the stake set on fire really believed it would ever find anyone innocent.
I find it hard to believe the innocent mask Lucretia drew for herself. Faunce writes, “I recall one day in particular in those years. I was reading on a chaise in Giovanni’s great room. He had few books, but what he had were surprisingly good, especially the ones in Greek. He told me they’d been salvaged from a ship of Byzantine pirates and scholars, who’d shipwrecked below our castle, all of them drowned or killed by rocks or shark-men. Bibliophiles and pirates? I wondered. The modern age is full of learned men in the oddest places. As I was reading Pliny’s account of the destruction of Pompey, fire-belching Vesuvius reminding me of my dragon tapestry wedding-gift that now hung behind me” (100).
My head could only shake at the cruelty, the greed, the lust for power and gold these “Men of the Church” displayed toward their fellow humans. Lucrezia Borgia by John Faunce is a story which should not be forgotten. 5 stars.
Very entertaining historical fiction with a sharp eye for what is actually known about Lucrecia as opposed to the myths and distortions which surround her name. If you are looking for a real villain, read about her brother Cesare. ( )
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
The Borgias have served their Church well, for they are the cherished scapegoats that have been used to embody and obscure the sins of every dark pontificate before them and after. NICK TOSCHES In the Hand of Dante
Dédicace
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
For my mother and father and for Elizabeth Karl
Premiers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
My life is a myth.
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique
▾Références
Références à cette œuvre sur des ressources externes.
Wikipédia en anglais
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▾Descriptions de livres
"A fascinating story, rich in detail. In every case, Faunce portrays Lucrezia] believably, with wit and sensitivity."--Library Journal Hundreds of years after her death, Lucrezia Borgia remains one of the most enigmatic and notorious women of history, accused of incest, of poisoning her rivals, and even of murdering her own father. Born into scandal, she was the daughter of the treacherous Cardinal Roderigo Borgia, who would later be crowned Pope Alexander VI. When her father ascended the papal throne, young Lucrezia's life changed forever. From then on, Lucrezia would be unable to escape the political ambitions of her father and her brother, the bloodthirsty Cesare Borgia. In an era when the Vatican was as decadent and violent as any royal court, Lucrezia was its crown princess. Famed for her beauty, she was a valuable pawn in the marriage game, and Alexander VI would use her to create one alliance after another. When her kindly first husband no longer suited the Pope's needs, Lucrezia's virginity was restored by papal decree (her new maidenhood was declared "miraculous"), and she was married off again, this time to a man she truly loved, Alfonso, Prince of Naples. But her joy was short-lived. Alfonso loathed her brother and refused to participate in the Pope's imperial schemes, which threatened to tear apart the Vatican's political alliances--and Lucrezia's happy marriage. In this unforgettable debut, John Faunce perfectly captures the rotten decadence of the Borgias' papal court and the inner steel of Lucrezia Borgia, one of history's great survivors. "Fascinating...a searing portrait of an intelligent woman, cunning enough to shape her own bizarre destiny."--Booklist "From the Trade Paperback edition."
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Faunce’s version is narrated by Lucrezia, the daughter of Rodrigo and brother to the gold-obssessed Cesera Borgia. While Rodrigo was stocking the Vatican library with hundreds of thousands of manuscripts and books, the young Lucretia became curious and determined to learn to read and write Greek and Latin. Faunce writes, “Odd, I thought, how these paper and leather objects do so easily and pleasantly what the Inquisition’s fires, frequently fed with similar books, have never done. Ink puts out even hellfire. I pray, as daily I pick up my quill, this book before me might have such reforming powers for some other blond. Moonlight made my book reading slow and there were thousands of books. I couldn’t go the nights of the New Moon, since my reading lamp those nights had fled the sky. But I learned gradually to love the flipping pages of books, their smell, dust and everything about them” (48). More than 500 years ago, people had a reverence for paper and books.
The worst part of this corrupt crew involved Pope Alexander VI himself. Faunce writes, “Papa didn’t care much about Savonarola, Ascanio Sforza told me. // ‘Will the Medicis not toast me this quarrelsome priest”’ Papa’d said casually over bruschetta to the Florentine Ambassador. // ‘It would help our lawyers, Holiness, if you’d excommunicate him.’ // And. of course, he did. So they did, subjecting Savonarola to the ‘Trial by Fire,’ in which he was burned at the stake. The ‘Trial’ part being that if he were truly innocent, the fire shouldn’t burn him, of course. This seemed fair and satisfied everyone, including the subsequently incinerated monk himself” (99-100). The hypocrisy of this punishment is baffling. I cannot imagine the men who ordered the stake set on fire really believed it would ever find anyone innocent.
I find it hard to believe the innocent mask Lucretia drew for herself. Faunce writes, “I recall one day in particular in those years. I was reading on a chaise in Giovanni’s great room. He had few books, but what he had were surprisingly good, especially the ones in Greek. He told me they’d been salvaged from a ship of Byzantine pirates and scholars, who’d shipwrecked below our castle, all of them drowned or killed by rocks or shark-men. Bibliophiles and pirates? I wondered. The modern age is full of learned men in the oddest places. As I was reading Pliny’s account of the destruction of Pompey, fire-belching Vesuvius reminding me of my dragon tapestry wedding-gift that now hung behind me” (100).
My head could only shake at the cruelty, the greed, the lust for power and gold these “Men of the Church” displayed toward their fellow humans. Lucrezia Borgia by John Faunce is a story which should not be forgotten. 5 stars.
--Jim, 12/31/17 (