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In the Shadow of Quetzalcoatl: Zelia Nuttall and the Search for Mexico’s Ancient Civilizations

par Merilee Grindle

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The gripping story of a pioneering anthropologist whose exploration of Aztec cosmology, rediscovery of ancient texts, and passion for collecting helped shape our understanding of pre-Columbian Mexico. Where do human societies come from? The drive to answer this question took on a new urgency in the nineteenth century, when a generation of archaeologists began to look beyond the bible for the origins of different cultures and civilizations. A child of the San Francisco Gold Rush whose mother was born in Mexico City, Zelia Nuttall threw herself into the study of Aztec customs and cosmology, eager to use the tools of the emerging science of anthropology to prove that modern Mexico was built over the ruins of ancient civilizations. Proud, disciplined, as prickly as she was independent, Zelia Nuttall was the first person to accurately decode the Aztec calendar stone. An intrepid researcher, she found pre-Columbian texts lost in European archives and was skilled at making sense of their pictographic histories. Her work on the terra-cotta heads of Teotihuacán captured the attention of Frederic Putnam, who offered her a job at Harvard's Peabody Museum. Divorced and juggling motherhood and career, Nuttall chose to follow her own star, publishing her discoveries and collecting artifacts for US museums to make ends meet. From her beloved Casa Alvarado in Coyoacán, she became a vital bridge between Mexican and US anthropologists, connecting them against the backdrop of war and revolution. The first biography of Zelia Nuttall, In the Shadow of Quetzalcoatl captures the appeal and contradictions that riddled the life of this trailblazing woman, who contributed so much to the new field of anthropology until a newly professionalized generation overshadowed her remarkable achievements and she became, in the end, an artifact in her own museum.… (plus d'informations)
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‘If Mexicans will make stupid laws and try to prevent archaeology in the North from growing, then these rules will be broken’, wrote the American archaeologist Alfred Tozzer from the Yucatán Peninsula in 1904. ‘It is almost a duty to take everything one can from the country.’ Such were the attitudes of the European and North American pioneers of archaeology and anthropology. Their era was the age of empire – empires emanating from Europe – and they easily reconciled their dedication to the study of ancient societies with the conviction that such societies were innately inferior to their own. As Merilee Grindle puts it, this was a time when ‘elites asserted their rights to take possession of the past’.

It was also ‘a time when Zelia Nuttall was famous’, something which is no longer true. Born in 1857, Nuttall was a native Californian whose father was Irish and grandmother Mexican. She played crucial roles in the dawning development of anthropology, specifically the study of ancient Mexican cultures such as that of the Aztecs. She wrote well over 100 papers and articles during the final two decades of the 19th century and the first three decades of the 20th. The British Library’s Codex Nuttall, an ancient Mexican manuscript, is named after her. Before 1903 she was based in San Francisco but travelled extensively and lived in various European cities. After that, until her death in 1933, she lived in Coyoacán, just outside Mexico City, aside from seven years when the Mexican Revolution forced her into temporary exile in England and San Francisco.

Grindle does not allow discursions into Nuttall’s scholarly interests to slow down the strong narrative pace of her book. It reminded me of William Boyd’s novels: we follow from birth to death a flawed but ultimately heroic central protagonist. Specialised knowledge of a particular profession provides captivating details as our protagonist navigates the events and personalities of world history, in this case the World’s Columbian Exposition in Chicago (1893), the Great San Francisco Earthquake (1906) and the Mexican Revolution (1910-17).

Read the rest of the review at HistoryToday.com.

Matthew Restall is Sparks Professor of History at Penn State University and author of When Montezuma Met Cortés (Ecco, 2018) and The Maya (Oxford University Press, 2020).
  HistoryToday | Jan 2, 2024 |
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The gripping story of a pioneering anthropologist whose exploration of Aztec cosmology, rediscovery of ancient texts, and passion for collecting helped shape our understanding of pre-Columbian Mexico. Where do human societies come from? The drive to answer this question took on a new urgency in the nineteenth century, when a generation of archaeologists began to look beyond the bible for the origins of different cultures and civilizations. A child of the San Francisco Gold Rush whose mother was born in Mexico City, Zelia Nuttall threw herself into the study of Aztec customs and cosmology, eager to use the tools of the emerging science of anthropology to prove that modern Mexico was built over the ruins of ancient civilizations. Proud, disciplined, as prickly as she was independent, Zelia Nuttall was the first person to accurately decode the Aztec calendar stone. An intrepid researcher, she found pre-Columbian texts lost in European archives and was skilled at making sense of their pictographic histories. Her work on the terra-cotta heads of Teotihuacán captured the attention of Frederic Putnam, who offered her a job at Harvard's Peabody Museum. Divorced and juggling motherhood and career, Nuttall chose to follow her own star, publishing her discoveries and collecting artifacts for US museums to make ends meet. From her beloved Casa Alvarado in Coyoacán, she became a vital bridge between Mexican and US anthropologists, connecting them against the backdrop of war and revolution. The first biography of Zelia Nuttall, In the Shadow of Quetzalcoatl captures the appeal and contradictions that riddled the life of this trailblazing woman, who contributed so much to the new field of anthropology until a newly professionalized generation overshadowed her remarkable achievements and she became, in the end, an artifact in her own museum.

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