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Chargement... Green Lantern/Green Arrow: Hard-Traveling Heroes Deluxe Editionpar Denny O'Neil
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Appartient à la sérieGreen Lantern Vol. 2 (Omnibus: GL 76-87, 89, Flash 217-219, 226) Green Lantern/Green Arrow (Omnibus: GL 76-87, 89, Flash 217-219, 226) ContientGreen Lantern [1960] #76 par Dennis O'Neil (indirect) Green Lantern [1960] #77 par Dennis O'Neil (indirect) Green Lantern [1960] #78 par Dennis O'Neil (indirect) Green Lantern [1960] #79 par Dennis O'Neil (indirect) Green Lantern [1960] #80 par Dennis O'Neil (indirect) Green Lantern [1960] #81 par Dennis O'Neil (indirect) Green Lantern [1960] #82 par Dennis O'Neil (indirect) Green Lantern [1960] #83 par Dennis O'Neil (indirect) Green Lantern [1960] #84 par Dennis O'Neil (indirect) Green Lantern [1960] #85 par Dennis O'Neil (indirect) Green Lantern [1960] #86 par Dennis O'Neil (indirect) Green Lantern [1960] #87 par Dennis O'Neil (indirect) Green Lantern [1960] #89 par Dennis O'Neil (indirect)
In these stories, Green Lantern Hal Jordan continued his usual cosmic-spanning adventures, as he used his amazing Power Ring to police Sector 2814 against universe-threatening menaces. Meanwhile, on Earth, Oliver Queen, the archer known as Green Arrow, was confronting menaces of a different kind- racism, poverty, drugs and other social ills! This stunning Deluxe Edition of Green Lantern/Green Arrow collects the influential early 1970s stories featuring classic team-ups written by Dennis O'Neil with art by Neal Adams! Collects GREEN LANTERN/GREEN ARROW #76-87 and 89, plus short stories from THE FLASH #217-219 and 226. Aucune description trouvée dans une bibliothèque |
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When the Guardians of Oa challenge the Green Lantern for his effort to help people stand up to slumlords, he decries, “Some hideous moral cancer is rotting our very souls!” Where Adams portrayed Green Arrow gesticulating in typical superhero fashion for most of this speech, he portrays Green Arrow with a horrified face in the last panel as Martin Luther King, Jr. and Robert F. Kennedy’s portraits appear behind the costumed adventurer. Arrow’s words move the Guardians of Oa, leading them to send one of their number to Earth disguised as a human to travel the country like Jack Kerouac and learn about the problems facing Americans.
In the August 1971 story “Snowbirds Don’t Fly,” some teens attempt to mug Green Arrow while in his civilian identity as Oliver Queen. One shoots him with a crossbow and Queen recognizes the arrow as one of his own. He and Green Lantern find where the teens reside, with one begging the building manager to let him in. The begging teen cries and shakes, leading Green Lantern to reveal his ignorance as he fails to recognize the symptoms of withdrawal. Green Lantern and Green Arrow convince the young addict to take them to the flophouse of the other teens, where Arrow finds his sidekick Speedy amongst the strung-out youths. He believes that Speedy was working undercover to find the man behind the narcotics ring. Noticing that Speedy appears pale, Green Arrow recommends he rest while they pursue the leaders of the drug ring. Throughout the story, Green Arrow and Green Lantern moralize about drug use, showing their shock that anyone would use heroin. Through Speedy, O’Neil and Adams offer a more sympathetic voice, contextualizing the emotional pain a young person might feel and how they could turn to drugs to ease their feelings of pain. Rather than listen, Green Arrow disregards Speedy’s pleas. Later, he’s shocked to catch Speedy in the act of shooting up.
Other stories touch on counterculture cults and even adapt concepts from Paul Ehrlich’s 1968 book, The Population Bomb. Though O’Neil writes in his introduction that he has no desire to look back, preferring to look forward, these comics remain essential reading both for their impact on the industry and for how they influenced later stories. O’Neil and Adams’s comics played a role in the national discussion by distilling these issues into short-form narratives that readers could easily understand, even as they reflected racialized discourses about drug use and poverty. Beyond that, Speedy’s drug use remained a part of his backstory through several different industry reboots and the showrunners of the CW’s Arrow even incorporated it into their plot. This volume is a must-read for all Green Lantern and Green Arrow fans. ( )