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Mistler prend congé

par Louis Begley

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1101250,471 (3.34)2
Thomas Mistler has always thought himself "a happy man, as the world goes." A scion of old money, he made his own fortune in advertising and is now poised to sell the company he founded for a fabulous price. But when a medical examination reveals the presence in his liver of a fatal intruder, "preposterously, unmistakably, he begins to rejoice," with a feeling of having been set free. But free from what? He will seek the answer surreptitiously, without revealing his illness to his family, during a last reprieve, a moment of grace in "the one place on earth where nothing irritates him." But amidst the surreal beauties of Venice, he finds bitterness and chaos as he allows himself to drift for the first time. His halfhearted efforts to seize the day and its present pleasures--first with a striving young photographer and later with a love of his youth who never loved him--cannot compete with his need to commune with the living and the dead that crowd his life: his father and uncle, pillars of the Establishment, sources of the "genetic puritanism" he has never tried to resist; his son, Sam, whose love he has only barely salvaged; his wife, once perfectly "beautiful and suitable," now humiliated by him and half-scorned. And the one woman who embodies everything he might have wished for, a woman he "never had and never lost." Deeply poignant yet mordantly funny,Mistler's Exitbrilliantly discloses the pleasures and miseries of having it all. A masterly revelation of the complexities of the heart.… (plus d'informations)
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» Voir aussi les 2 mentions

Begley loves to write about the 60-plus-year-old man, usually of considerable means, getting it on with a 25-year-old girl. He does it in the first two Schmidt books and he does it here in Mistler's Exit. His other penchant is to chat in considerable detail about business deals, or legal cases, or real estate. His characters are big time materialists who probably vote Republican but who are nice enough so that you can't tell. They are used to dinner parties and servants and polo and the club. They enjoy their flings; they are men of the old school after all. And let us not forget cocktail hour, with it's irreplaceable martini. They have all material aspects of their life worked out to a fare thee well. Yet into this world of hyper-planning and monied perfection steps travail and trepidation. Humans can never be free of it, strive though they might. In the first two Schmidt books it appears in the form of a recently deceased wife, who was a paragon of family life, the social glue that held it together, and a daughter so foolish and unknowing in her life choices that one wonders if there wasn't some switch made among the bassinets at the hospital. Still reading.
  William345 | Jun 11, 2014 |
Das Wagnis, die Geschichte eines unheilbar kranken Mannes zu erzählen, gelingt ohne Moralismus und Melodramatik. Ganz langsam rückt Mistler dem Leser zu Leibe. Das berührt weitaus stärker, als man zunächst für möglich gehalten hätte. Begley hat das Scheitern an der Welt und ihrem Geld neu formuliert.
 

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Thomas Mistler has always thought himself "a happy man, as the world goes." A scion of old money, he made his own fortune in advertising and is now poised to sell the company he founded for a fabulous price. But when a medical examination reveals the presence in his liver of a fatal intruder, "preposterously, unmistakably, he begins to rejoice," with a feeling of having been set free. But free from what? He will seek the answer surreptitiously, without revealing his illness to his family, during a last reprieve, a moment of grace in "the one place on earth where nothing irritates him." But amidst the surreal beauties of Venice, he finds bitterness and chaos as he allows himself to drift for the first time. His halfhearted efforts to seize the day and its present pleasures--first with a striving young photographer and later with a love of his youth who never loved him--cannot compete with his need to commune with the living and the dead that crowd his life: his father and uncle, pillars of the Establishment, sources of the "genetic puritanism" he has never tried to resist; his son, Sam, whose love he has only barely salvaged; his wife, once perfectly "beautiful and suitable," now humiliated by him and half-scorned. And the one woman who embodies everything he might have wished for, a woman he "never had and never lost." Deeply poignant yet mordantly funny,Mistler's Exitbrilliantly discloses the pleasures and miseries of having it all. A masterly revelation of the complexities of the heart.

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