Real Rating: 3.8* of five

The Publisher Says: A Gentleman in Moscow meets Moulin Rouge in this stylish, sexy page-turner about Clementine, a queer American expat and notorious thief of rare scents, who has retired to Paris, only to return to her old tricks in hopes of protecting the city she loves when the Nazis invade in 1941.

Clementine is a seventy-two year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down and opens a legitimate shop bottling her favorite extracts for the ladies of the cabarets.

In 1941, as the German's stranglehold on the city tightens, Clem's perfume-making attracts the notice of Oskar Voss, a Francophile Nazi bureaucrat, who comes to demand Clem's expertise and loyalty in his mysterious play for Hitler's favor. Clem has no choice but to surrender fully to the con, but while she knew playing the part of collaborator would be dangerous, she never imagined it would be so painfully intimate. At Oskar's behest, and in an effort to win his trust, Clem recounts the full story of her life and loves, this time without the cover of the lies she came to Paris to escape.

Complete with romance, espionage, champagne towers, and haute couture, this full-tilt sensory experience is a dazzling portrait of the underground resistance of twentieth-century Paris and a passionate love letter to the power of beauty and community in the face of insidious hate.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Lush, lovely prose telling a story that made me squirm so hard I wore a hole in my upholstery.

Stories about coercion of trans folks using their identity as trans are not comfortable reads. I do not think this was intended to be a comfy-cozy kind of a read but it was clear in its empathy for its trans main character. So, blessedly, I was not left with the rather unclean film of exploitive appropriative use of trans identity as a negative signifier on my lens into the story.

Still, this story causes me horripilation. As things that have Nazis as the antagonist should.

The felt-like-he-was-factual Oskar Voss, nasty boss Nazi spymaster, based like the rest of the story—as per the author—on real people who were in Paris to escape the judgments of Society in the safety of the big city. Then, the worst-possible worst result happens to them all when the vileness of the Nazis come barging in with their giant, outsized hatreds, and their very overblown sense of purpose. Oskar is typical of the cynical bandwagon-hoppers that puritanical movements attract like horse apples attract dung beetles. He is very much not interested in the ideology of his paymasters. He wants power over others. His means of getting more of his drug is to use whoever and whatever he can to buy himself a seat at a higher-placed table.

Enter Clem(entine). And a lot of Clem's fellow misfits. They need to survive, and their Otherness has equipped them to do this any and every way they possibly can including stealing and blackmailing any and everyone they need to. Oskar wants to ensorcel Hitler with some super-special scent, which TBH just fell flat for me as a motivation...but it led to butch lesbian/transman Clem recounting, for honestly flimsy reasons, her lifetime's-worth of stories to the rapt Oskar. Whatever excuse made that happen is good enough for me.

Clem, a very old person for that era at seventy-two, has Lived A Life, maybe three or even four, in those years. A born tale-teller, as anyone making a living as a con artist and thief operating among the very rich must be, Clem completely wraps Oskar up in the memory palace of the past. How much of it would pass the fact-checking of the internet age, well...who cares. I do not really buy into the motivations of Oskar for any of his actions, but that left me no less delighted to spend time with Clem.

The horrors of Nazi-occupied Paris, the horrors that were to come, all seemed to Clem to be clear because these puritanical control freaks are just like the others from the past. None of it is downplayed, and there are terrible passages in this story, but the way it is presented feels...convenient. Oskar is easily led by his greed for power, Clem is easily swayed by a murky sense of responsibility that all just jelled a bit too patly for this reader.

I will not, though, say anything to discourage anyone who longs for ancestral representation for their own kind to get stuck in right away. I think the transmasculine Clem, while imperfect, is perfectly delightful to spend page time with. The hurts and betrayals of lives long over make for great stories, even knowing they were painful and hard to live. You will come away edified for knowing the honorable, sensible, deeply relatable hero that is Clem. ( )

Digital audiobook performed by Gabrielle De Cuir and Stefan Rudnicki.
4****

From the book jacket: A Gentleman in Moscow meets Moulin Rouge in this stylish, sexy page-turner about Clementine, a queer American ex-pat and notorious thief who is drawn out of retirement and into one last scam when the Nazis invade Paris on the eve of World War II.

My reactions
This was a marvelous heist caper thriller, featuring interesting characters, several twists and turns and the atmosphere of Paris on the verge of world war. I found it fascinating and exciting and when it was over, I wanted to start it again to catch what I’m sure I must have missed.

Before she lands in Paris in 1930, Clem begins her career in belle-epoch era Manhattan, and travels to Costa Rica and Marrakech in search of ingredients and potions.

Schaffert shines a light on a subset of Parisien society that few tourists experience. Clementine and her friend Zoe St Angel are in a perfect position to encounter some of the famous residents of Paris in this era. They move seamlessly between the artists, crooks, ladies of the evening, and invading Germans. But they have their secrets and their plans to thwart the Nazis. Not only can Clem concoct an intoxicating scent, but she can use her knowledge of chemistry to provide invisible ink or poison, making her a valuable asset to the resistance.

The audiobook is masterfully performed by two talented voice artists: Gabrielle de Cuir and Stefan Rudnicki. They have a lot of characters to handle and I am sure I lost track of the plot a few times. Not to take anything away from their performances, but next time, I’ll read this in text format. ( )

Some parts a bit slow but interesting idea and well constructed ( )

Clementine is a seventy-two year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down and opens a legitimate shop bottling her favorite extracts for the ladies of the cabarets.

In 1941, as the German's stranglehold on the city tightens, Clem's perfume-making attracts the notice of Oskar Voss, a Francophile Nazi bureaucrat, who comes to demand Clem's expertise and loyalty in his mysterious play for Hitler's favor. Clem has no choice but to surrender fully to the con, but while she knew playing the part of collaborator would be dangerous, she never imagined it would be so painfully intimate. At Oskar's behest, and in an effort to win his trust, Clem recounts the full story of her life and loves, this time without the cover of the lies she came to Paris to escape. ( )

"Sometimes, sleepless, I remember things I've long since forgot, or things I've never forgotten but haven't remembered in years, and everything comes back doubly vivid, or triply, and it's even more alive than when I lived it..." A rather slowly-paced tale with occasional moments of riveting action in this novel of WW2 Paris filled with spies complete with poisons and invisible ink. The French and American characters just happen to be mostly gay. Bits of the story that take place in NYC serve as backstory. Evidently loosely based on some of what happened in Josephine Baker's life during this same timeframe. The Nazis are scary and have hidden agendas. The scents are practically a character of their own, figuring prominently. The book serves as a testament to the little-known role of the LGBTQ community in occupied Paris. On the whole, this is a richly-atmospheric book that reveals some of the gritty day-to-day aspects of the occupation and does so in a compelling fashion. "People need to take things because they lose things." ( )