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The Love Object: Selected Stories

par Edna O'Brien

Autres auteurs: John Banville (Introduction)

Autres auteurs: Voir la section autres auteur(e)s.

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1442191,989 (3.42)Aucun
The thirty-one stories collected in this volume provide, among other things, a cumulative portrait of Ireland, seen from within and without. Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York," the single-mindedness of love dramatically derails the relationship between a girl and her mother, while in "Sister Imelda" and "The Creature" the strong ties between teacher and student and mother and son are ultimately broken. "The Love Object" recounts a passionate affair between the narrator and her older lover. The magnificent, mid-career title story from Lantern Slides portrays a Dublin dinner party that takes on the lives and loves of all the guests. More recent stories include "Shovel Kings" and "Old Wounds," which follows the revival and demise of the friendship between two elderly cousins.… (plus d'informations)
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2 sur 2
3.5 Edna O'Brien is an author I have always wanted to read but until now never have. Her first book Country Girls was banned in Ireland upon its release for its depiction of female sexuality. Her writing is elegantly descriptive and though their are a few stories I didn't really care for, there were some I absolutely loved.

The rug was one, a rug is unexpectedly delivered to a family, or is a beautiful purple rig and they spend time trying to guess who has sent this rug that they now all loves to them. There is of course s catch but it would a spoiler to tell you the rest. In another a young country girl is thrilled to be invited to her first party, but finds out things are not as she thought. And of course the mother, daughter story which I am always drawn too.

A wonderful collection of stories of want, love and failed expectations. Now I need to get my hands on Country Girls.

ARC from publisher. ( )
1 voter Beamis12 | May 14, 2015 |
DNF @52%. Most of these stories, after the first part of the book, are not even three stars. I just couldn't finish it, the stories are boring. ( )
  burritapal | Oct 23, 2022 |
2 sur 2
ajouté par booksaplenty1949 | modifierNew York Times (May 8, 2015)
 

» Ajouter d'autres auteur(e)s (7 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Edna O'Brienauteur principaltoutes les éditionscalculé
Banville, JohnIntroductionauteur secondairetoutes les éditionsconfirmé
Newlands, ElleNarrateurauteur secondairequelques éditionsconfirmé
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This is the collection of 31 stories, not the earlier eight-story collection published by Cape (1968) and Penguin (1970).
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The thirty-one stories collected in this volume provide, among other things, a cumulative portrait of Ireland, seen from within and without. Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York," the single-mindedness of love dramatically derails the relationship between a girl and her mother, while in "Sister Imelda" and "The Creature" the strong ties between teacher and student and mother and son are ultimately broken. "The Love Object" recounts a passionate affair between the narrator and her older lover. The magnificent, mid-career title story from Lantern Slides portrays a Dublin dinner party that takes on the lives and loves of all the guests. More recent stories include "Shovel Kings" and "Old Wounds," which follows the revival and demise of the friendship between two elderly cousins.

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