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White Flights: Race, Fiction, and the American Imagination

par Jess Row

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"White Flights is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties "white flight"--The movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns--to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson's Housekeeping to the claustrophobic households in Jonathan Franzen's The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race. White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction "to approach each other again"? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism."--… (plus d'informations)
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A book I had an incomplete handle on. Often in essay collections there are two or three exceedingly strong pieces bolstered with a bunch of average ones to make up a book. In this case, it felt like Row had some provocative (and effective) arguments to make about the different ways race plays (or fails to play) a role in white American fiction. It's when he gets off course from this, into political theory, sociology, and even personal history that I feel the individual essays lose their grip a little bit -- it's not that this material is wrong, it just feels shallower, less of an original mind, and more the summoning of expected characters (Derrida, Butler, etc.), with a bit less exegesis than I like.

Plenty of forceful, thoughtful, challenging paragraphs that never quite cohere into the broader punch of idea I hope for from an essay. But those paragraphs, nuggets of insight were more than enough for me to give this 3*, I was weighing between 3 and 4. I think a condensed, long essay version of this could be remarkable. ( )
  Aaron.Cohen | May 28, 2020 |
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"White Flights is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties "white flight"--The movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns--to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson's Housekeeping to the claustrophobic households in Jonathan Franzen's The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race. White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction "to approach each other again"? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism."--

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