AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock

par Gregory Thornbury

MembresCritiquesPopularitéÉvaluation moyenneMentions
762355,362 (3.5)5
In 1969, in Capitol Records' Hollywood studio, a mercurial, blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors, Norman decided that he wanted to sing about the most countercultural subject of all- Jesus. Billboardcalled Norman "the most important songwriter since Paul Simon," and his music would go on to inspire members of bands as diverse as U2, The Pixies, Guns 'N Roses, and more. To a young generation of Christians who wanted a way to be different in the American cultural scene, Larry was a godsend-spinning songs about one's eternal soul as deftly as he did ones critiquing consumerism, middle-class values, and the Vietnam War. To the religious establishment, however, he was a thorn in the side; and to secular music fans, he was an enigma, constantly offering up Jesus to problems they didn't think were problems. Paul McCartney himself once told Larry, "You could be famous if you'd just drop the God stuff," a statement that would foreshadow Norman's ultimate demise. In Why Should the Devil Have all the Good Music?, Gregory Alan Thornbury draws on unparalleled access to Norman's personal papers and archives to narrate the conflicts that defined the singer's life, as he crisscrossed the developing fault lines between Evangelicals and mainstream American culture-friction that continues to this day. What emerges is a twisting, engrossing story about ambition, art, friendship, betrayal, and the turns one's life can take when you believe God is on your side.… (plus d'informations)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 5 mentions

2 sur 2
This biography was about the rise of Contemporary Christian Music (CCM) and about one of the founding godfathers of that genre, Larry Norman. Larry Norman was a rising rock star who looked and acted the part - at first. He was a virtuoso guitar player and poet. He counted among his friends Bono and Cliff Richard. His work was admired by Paul McCartney, Bob Dylan, Mick Jagger and Keith Richards. (All of these were his contemporaries as well as musical voyagers of the same era.) He grew up a Christian and his early work, while secular, was heavily influenced by his faith, but also by Elvis Presely and the Beatles. He was determined to make it as a Rock Star. He had the rugged good looks needed for the part, and a striking mane of long white blond hair - naturally that color. He looked like the quintessential California surfer boy rock star. He was a consummate showman. His concerts were events and contributed to his growing mystic and eventually his legend. A conversion experience in his early years as a Rock Star led him to a life as the founder of a new kind of music - Christian rock. The title for the book comes from one of his Christian rock anthems for which he became famous. He was also the person who trademarked the "One Way" sign of the single finger pointing upwards that became associated with the Jesus movement.

In his early days it was very hard to get a contract to produce Christian rock and the established Christian recording companies didn't know what to do with rock. For that reason he started his own recording company. He also started his own booking agency and became not only the first star of the Christian rock scene, but also one of its founding executives. This sounds like a success story. It wasn't. Norman had a difficult personality and two difficult marriages that devolved into scandal. There were sex scandals, drug scandals, and business scandals that followed him throughout his career. He spent large chunks of his life in Britain and found a following in Europe, particularly in Britain and the Scandinavian countries and he felt like it was a case of a prophet in his own country syndrome. He died in the early 2000's from congestive heart failure in his early 60's. Bono and Paul McCartney sent flowers to his funeral.

The book covered and area of the music industry that tends to not be taken seriously even though sales are now through the roof and CCM is a big, and still growing, part of the music industry. That meant that the subject was of interest. However, there were times, when the writing just wasn't that scintillating. The author is a reporter who covers the CCM part of music, and he admitted in the first pages of the book that he was a Larry Norman fan. Even so, there were parts of the book that were mundane when the life of Larry Norman was very exciting and cutting edge. In short, this book could have been more, but it was still a good 250 page introduction with endnotes and references. ( )
  benitastrnad | Nov 11, 2019 |
Slanted look at the life of Christian rock musician, Larry Norman, by those who loved him and his music. Like other musical biopics, there are drugs, sexual encounters, and groupies. What is different is the gospel and prayer Norman includes in his music and everyday life. The book provides a good introduction to his life and exposure to the creation of Christian rock. ( )
  bemislibrary | Dec 2, 2018 |
2 sur 2
aucune critique | ajouter une critique
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

In 1969, in Capitol Records' Hollywood studio, a mercurial, blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors, Norman decided that he wanted to sing about the most countercultural subject of all- Jesus. Billboardcalled Norman "the most important songwriter since Paul Simon," and his music would go on to inspire members of bands as diverse as U2, The Pixies, Guns 'N Roses, and more. To a young generation of Christians who wanted a way to be different in the American cultural scene, Larry was a godsend-spinning songs about one's eternal soul as deftly as he did ones critiquing consumerism, middle-class values, and the Vietnam War. To the religious establishment, however, he was a thorn in the side; and to secular music fans, he was an enigma, constantly offering up Jesus to problems they didn't think were problems. Paul McCartney himself once told Larry, "You could be famous if you'd just drop the God stuff," a statement that would foreshadow Norman's ultimate demise. In Why Should the Devil Have all the Good Music?, Gregory Alan Thornbury draws on unparalleled access to Norman's personal papers and archives to narrate the conflicts that defined the singer's life, as he crisscrossed the developing fault lines between Evangelicals and mainstream American culture-friction that continues to this day. What emerges is a twisting, engrossing story about ambition, art, friendship, betrayal, and the turns one's life can take when you believe God is on your side.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.5)
0.5
1
1.5
2
2.5
3 2
3.5
4 2
4.5
5

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 207,077,513 livres! | Barre supérieure: Toujours visible