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The March Of The Foxgloves

par Karyn Hay

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London, 1893, and Frances Woodward is tormented by the restrictions of her puritanical father and the cruelties of 19th century narcissist, Benedict Hunt. Having meted out a particularly creative form of revenge upon Hunt, Frances transcends the social norms of the late-Victorian era and travels alone to the far-flung colony of New Zealand, where she is forced to look beyond the establishment life seemingly pre-ordained for her. Falling in with other artists and non-conformists, and inspired by the revolution in thinking brought about by heroic literary figures and social reformers of the time, Frances forges a new path of her own making.… (plus d'informations)
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Photojournalist Frances Woodward is heartbroken over self-obsessed Benedict Hunt who has just become engaged to another after toying with her affections. She abandons her restrictive life in Victorian London for Auckland, New Zealand. Unfortunately she sells one of her erotic photographs of her friend Dolly to the wrong person, an action which later comes back to haunt her when she travels to the small village of Tauranga to stay in the controlled chaos of the Bleakley home, where the couples marriage is crumbling apart. A slow-moving tale of what life in the colonies at that time may have been like for a skilled photographer such as Frances. More development of some of the side characters would have been worthwhile. Interesting descriptive passages and some amusing dialogue, especially between Frances and the children. Good research into how Tauranga would have been in that time period. ( )
  DebbieMcCauley | Oct 24, 2017 |
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'The New Zealand bush comes in every shade of green, every nuance, which could be said for green everywhere, but unlike its northern counterpart, the forest for example, there is nothing soft or tremulous about the green of the New Zealand bush...'
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London, 1893, and Frances Woodward is tormented by the restrictions of her puritanical father and the cruelties of 19th century narcissist, Benedict Hunt. Having meted out a particularly creative form of revenge upon Hunt, Frances transcends the social norms of the late-Victorian era and travels alone to the far-flung colony of New Zealand, where she is forced to look beyond the establishment life seemingly pre-ordained for her. Falling in with other artists and non-conformists, and inspired by the revolution in thinking brought about by heroic literary figures and social reformers of the time, Frances forges a new path of her own making.

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