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Tells the adventures of a free-spirited mental ward inmate whose rebelliousness pits him against the repressive head nurse, and whose charm wins him the loyalty of his fellow inmates.
Some of the storyline is rather contrived, and some highly unlikely. But the film's effectiveness cannot be denied. Nearly fifty years on, it is Louise Fletcher's performance which dominates the film rather than Jack Nicholson, though he plays his character well. ( )
By modern standards, the majority of the film might come off as a bit bland and straightforward, but it is still superbly acted, with plenty of memorable and funny bits interspersed. And in the end, the journey is well worth it, as the amazing ending makes the movie's status as a cinema classic hold up. ( )
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This is the film adaptation, directed by Miloš Forman, not the original 1962 novel by Ken Kesey, and not the 1963 stage adaptation by Dale Wasserman. Please be careful not to combine with either of these.
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Tells the adventures of a free-spirited mental ward inmate whose rebelliousness pits him against the repressive head nurse, and whose charm wins him the loyalty of his fellow inmates.
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“Good writin' ain't necessarily good readin'.” (