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The Disappearing L: Erasure of Lesbian Spaces and Culture (SUNY series in Queer Politics and Cultures)

par Bonnie J. Morris

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A 2018 Over the Rainbow Selection presented by the Gay, Lesbian, Bisexual, and Transgendered Round Table (GLBTRT) of the American Library AssociationLGBT Americans now enjoy the right to marry—but what will we remember about the vibrant cultural spaces that lesbian activists created in the 1970s, 80s, and 90s? Most are vanishing from the calendar—and from recent memory. The Disappearing L explores the rise and fall of the hugely popular women-only concerts, festivals, bookstores, and support spaces built by and for lesbians in the era of woman-identified activism. Through the stories unfolding in these chapters, anyone unfamiliar with the Michigan festival, Olivia Records, or the women's bookstores once dotting the urban landscape will gain a better understanding of the era in which artists and activists first dared to celebrate lesbian lives. This book offers the backstory to the culture we are losing to mainstreaming and assimilation. Through interviews with older activists, it also responds to recent attacks on lesbian feminists who are being made to feel that they've hit their cultural expiration date.… (plus d'informations)
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2 sur 2
Really enjoying this book
  Mary_Beth_Robb | Feb 4, 2020 |
I think this book asks a very pertinent question: what has happened to lesbian spaces? Why are "gay" events pretty much white and male by default? Who will record the history of lesbian activism?

However I disagree with a lot of the book's thesis. Instead of blaming patriarchy, capitalism, or other kyriarchical forces which have been working against women, and certainly lesbians, since the beginning of time, Bonnie Morris takes the blame and puts it on: queers these days. (Queue the headlines: Millennials kill lesbianism!)

Women-only music festivals were a big deal in the 70s/80s/90s. In fact, Mitchfest (a large music festival in Michigan where women would camp out in tents and there were stages where women-only bands would play) was still a thing up to a few years ago. I remember hearing about Mitchfest in the context of their "woman born woman" policy which was the festival's attempt to police people's gender, and only allow people who conformed to their cisnormative view of ladies enter the campground. This transphobic policy quite rightly gained a lot of negative attention for the festival, which shut down not too long ago.

Instead of blaming the culture of transphobia for the demise of Mitchfest, the author just blames those politically correct young kids who prefer to call themselves "queer" rather than "lesbian." (Which is something she lambasts repeatedly.) I view a world in which the Mitchfest organizers just weren't transphobic and didn't play gender police, and actually did the right thing, and I can see a world where lesbian (or heck, queer) music festivals still exist. Mitchfest was on the WRONG side of history, there's no defending it. It is not a bad thing that it is gone. Did it have potential? Yes. Did it fail in its execution? Also yes.

The author thinks that she can use the term "TERF" (trans-exclusionary radical feminist) in scare quotes so that it somehow doesn't apply to her and her compatriots, but she goes on repeatedly about how woman must be born as women. Pretty much every word written in this book proves the point that she is a trans-exclusionist. And I don't need to state how problematic that is. You can't go on and on about how lesbians had a movement inclusive of people of color and sought to address issues of racism and then not even bat an eyelash when discussing how you keep out an entire group of other people just because they didn't have the same experience of womanhood as you.

There is absolutely a need for segregated spaces for oppressed groups. But we can't have somebody standing at the doorway deciding who belongs to each group. We can't have somebody saying that only certain types of oppressed groups are welcome, and others aren't. There is such a thing as a woman-only space that isn't exclusive of transwomen (or others who don't identify on the gender-binary).

The fact that a lot of events are "queer" these days can be confusing to those who clearly identify with the "lesbian" category, especially given that the default gay event is male. But I am happier to live in a world where I might be a little confused, but where people are more comfortable expressing their sexuality outside of the boundaries of the gender binary. Besides, even in the conservative suburb where I live, there are plenty of lesbian Meetup groups and events. Lesbians haven't disappeared. There is something to blame for lesbian invisibility, but it certainly isn't anybody who identifies as queer. This was the whole question asked by the book, and it was never answered.

On to the next topic: Who killed lesbian bookstores? Those damn millennials and their kindles! Nothing about big box stores. Nothing about increasingly overwhelming rent prices keeping independent shop keepers out of city centers. Let's forget about capitalism and just blame "kids these days." That's always been a pretty solid strategy whenever older people don't like things. (And to be clear, I'm not a millennial, I'm probably closer in age to the author, but I can't abide people doing these generational blame games. They're pointless.)

I think the only strong chapter in the book had to do with Jewish lesbians and their importance to the lesbian movement. I don't think that has changed since the author's time. Unfortunately, anti-Semitism is still rife even in the LGBTQ+ movement (see: Chicago Dyke March 2017). I do agree that there is a problem with progressive movements when any kind of association with a state (such as Israel) paints people as being hostile to progressivism. Myself, as a citizen of the US, could be held accountable for all of the horrific things that my country does, but most (at least US-based) progressives understand that I myself do not condone those actions, and am not to blame for them. Unfortunately when a Jewish lesbian holds a rainbow flag with a Star of David on it, somehow we should hold her accountable for things that a country she may not even live in is doing? I'm not saying that what Israel is doing is right. Just that we can't hold all Jewish people accountable for the actions of a state. Just as we can't hold all US-ians accountable for the actions of their government. Progressive movements really need to work on this problem. However this issue is not addressed with much depth at all in this book.

I would have been much more interested in reading an entire book about Jewish folks in the lesbian and feminist movements. But the book came with all of the other transphobic and millennials-killed-bookstores crap as well. So ultimately I must say that this book was a huge disappointment, and I would not recommend it to anybody except those who want to hear about lesbian history from a TERF's point of view. ( )
1 voter | lemontwist | Oct 15, 2017 |
2 sur 2
Morris weaves an artful quilt of scholarly research, primary source material, and personal anecdotes in an effort to preserve the history of quickly vanishing, uniquely lesbian-identified spaces.
 
Fabulous ... This book is so rich, so wonderful, so enormous an undertaking, and so well written that it is hard to describe what a treasure it is ... The Disappearing L should be included in every history course in high schools and universities. It should be read by every lesbian who was there--and by every lesbian not fortunate enough to have experienced our golden era for herself. This book shines a light on the miracle we all created.
ajouté par Jayfeather55 | modifierLesbian Connection
 
Engaging... Highly recommended.
ajouté par Jayfeather55 | modifierChoice
 
An extraordinarily thoughtful and thought-provoking read. Exceptionally well written.
ajouté par Jayfeather55 | modifierMidwest Book Review
 
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You may forget but
Let me tell you
This: someone in
Some future time
Will think of us
-- Sappho
We came up in the 1950s at zero. And look what wee have now: the freedom to be in your face! Just keep hope. Just keep going; don't let it get to you. When we first wrote Lesbian/Woman, an editor rejected it by telling us, "You act as though your lifestyle is good, and that's impossible."
--Del Martin
Every wise woman buildeth her house;
But the foolish plucketh it down with her hands.
--Proverbs 14:1
I don't explain and defend well at the same time. They're two different activities.
--Jane Rule
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for Shannon Marie
and in gratitude to the vanish:
Mary Daly
Therese Edell
Maxine Feldman
Louise Fitzhugh
Kay Gardner
Barbara Grier
Audre Lorde
Julia Penelope
Adrienne Rich
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For more than thirty years, I've collected the work of feminist musicians and comedians who enjoyed cult status as lesbian stage performers in the 1970s, '80s, and '90s.
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A 2018 Over the Rainbow Selection presented by the Gay, Lesbian, Bisexual, and Transgendered Round Table (GLBTRT) of the American Library AssociationLGBT Americans now enjoy the right to marry—but what will we remember about the vibrant cultural spaces that lesbian activists created in the 1970s, 80s, and 90s? Most are vanishing from the calendar—and from recent memory. The Disappearing L explores the rise and fall of the hugely popular women-only concerts, festivals, bookstores, and support spaces built by and for lesbians in the era of woman-identified activism. Through the stories unfolding in these chapters, anyone unfamiliar with the Michigan festival, Olivia Records, or the women's bookstores once dotting the urban landscape will gain a better understanding of the era in which artists and activists first dared to celebrate lesbian lives. This book offers the backstory to the culture we are losing to mainstreaming and assimilation. Through interviews with older activists, it also responds to recent attacks on lesbian feminists who are being made to feel that they've hit their cultural expiration date.

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