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The Zero Hour-era world takes the spotlight in this book tying into CONVERGENCE the mega-event that will change the course of every story ever told in DC Comics history.
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The very concept of Convergence is pretty goofy and not in a good way. Why bring these characters back but distort them by having them live in isolated cities for a year? Surely there must have been a more elegant option available. It doesn't help that no one seems to have told the writers of the tie-ins whether there were any rules for how the city battles worked: some characters are sent into each other's cities by Telos, others fly over on their own volition, some combats begin as soon as the domes go down, others have time to prepare, and this volume introduces (in just one story) the idea that the combats take place on a neutral ground.
Still, the best Convergence stories manage to do something worthwhile with the concept, usually by having some kind of emotional substrate to the battle being told. I don't think Zero Hour, Book 1 contains the best Convergence stories thus far, but it is one of the most consistent books, perhaps because the 1990s had characters with more emotional complexity than the 1970s/80s ones featured in earlier volumes. All five stories collected here cover characters from Metropolis around the time of the Zero Hour, though I'm not sure if from before or after the event itself, fighting the characters of Kingdom Come (published just two years after Zero Hour, so nice and era-appropriate).
So this volume has some nice moments: Catwoman flirting and bantering with the Kingdom Come Batman (with some well-done Jim Balent pastiche art); Connor Hawke getting acknowledgment from Oliver Queen, the father he never knew (and something that didn't actually happen in the comics of this era, as Oliver died almost immediately after meeting Connor), while Connor gets to have an alternate-future sister for a brief moment; Blue Beetle doing his best to be a man of peace in a time of war, and making an alliance with his alternate-future self; and the clone Superboy achieving the emotional maturity needed to sacrifice himself for the greater good. Only the Suicide Squad tale left me largely cold, and even that wasn't bad, just not my thing.
I enjoyed this set. The JLI one featuring Blue Beetle was definitely the best (Ron Marz turns out to be surprisingly adept at mixing comedy and tragedy), but on the whole it was a strong volume drawing on one of DC Comics's most creatively fertile periods.
The Zero Hour-era world takes the spotlight in this book tying into CONVERGENCE the mega-event that will change the course of every story ever told in DC Comics history.
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The very concept of Convergence is pretty goofy and not in a good way. Why bring these characters back but distort them by having them live in isolated cities for a year? Surely there must have been a more elegant option available. It doesn't help that no one seems to have told the writers of the tie-ins whether there were any rules for how the city battles worked: some characters are sent into each other's cities by Telos, others fly over on their own volition, some combats begin as soon as the domes go down, others have time to prepare, and this volume introduces (in just one story) the idea that the combats take place on a neutral ground.
Still, the best Convergence stories manage to do something worthwhile with the concept, usually by having some kind of emotional substrate to the battle being told. I don't think Zero Hour, Book 1 contains the best Convergence stories thus far, but it is one of the most consistent books, perhaps because the 1990s had characters with more emotional complexity than the 1970s/80s ones featured in earlier volumes. All five stories collected here cover characters from Metropolis around the time of the Zero Hour, though I'm not sure if from before or after the event itself, fighting the characters of Kingdom Come (published just two years after Zero Hour, so nice and era-appropriate).
So this volume has some nice moments: Catwoman flirting and bantering with the Kingdom Come Batman (with some well-done Jim Balent pastiche art); Connor Hawke getting acknowledgment from Oliver Queen, the father he never knew (and something that didn't actually happen in the comics of this era, as Oliver died almost immediately after meeting Connor), while Connor gets to have an alternate-future sister for a brief moment; Blue Beetle doing his best to be a man of peace in a time of war, and making an alliance with his alternate-future self; and the clone Superboy achieving the emotional maturity needed to sacrifice himself for the greater good. Only the Suicide Squad tale left me largely cold, and even that wasn't bad, just not my thing.
I enjoyed this set. The JLI one featuring Blue Beetle was definitely the best (Ron Marz turns out to be surprisingly adept at mixing comedy and tragedy), but on the whole it was a strong volume drawing on one of DC Comics's most creatively fertile periods.
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