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The Boston Raphael: A Mysterious Painting, an Embattled Museum in an Era of Change, and a Daughter's Search for the Truth

par Belinda Rathbone

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The full, inside story of how the discovery of a previously unknown painting by Raphael, the Italian Renaissance master, went from media sensation to career-destroying scandal. On the eve of its centennial celebrations in December, 1969, the Boston Museum of Fine Arts announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon afterward, an Italian art sleuth began investigating the details of the painting's export from Italy, challenged the museum's right to ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate the artwork's very authenticity. While these contests played themselves out on the international stage, the crisis deepened within the museum as its charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his thirty-year career. The facts about the forces that converged on the museum, and how they led to Rathbone's resignation as director, is only now fully revealed in this compelling, behind-the-scenes story that reveals how the art world, media, and museums work. This is for anyone who relishes stories of the business of art.… (plus d'informations)
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In her afterward, the authors says she wanted to write a memoir of her father and the people in his professional life but that book was not of interest so she wrote about the Boston Raphael. However, I think she did end writing mostly the first book to the detriment of the second. I knew nothing about the Boston Raphael scandal and I'm afraid she really skimmed through the events of it without alot of clarification. This is not hagiography but comes pretty close. She clearly is defending her father against Seybolt and the Board of Trustees but I can't say I really disagree with her. However, the circumstances of how the painting left Italy are pretty murky and the "everyone did it" defense is weak. I think I would have enjoyed more about the Rathbone and his life in the world of museums and more evenhanded coverage of the scandal. Ultimately, it ended up as an occasionally interesting but often dry book with way too many names that I didn't bother to keep track of.
  amyem58 | Feb 2, 2018 |
Belinda Rathbone, daughter of Perry Rathbone who was director of the Museum of Fine Arts in Boston from 1955 to 1973, recounts her father's biography, focusing on the "scandal" in 1972. Using some dealings that may not have been completely aboveboard, Rathbone procured a previously unknown portrait, said to have been painted by Raphael. Between the efforts of a self-serving Italian "art sleuth" and an obnoxious board president, Rathbone is forced to retire.

Belinda Rathbone does an excellent of job of fair-handed writing. She obviously admires him, but is willing to admit that he may have made some errors. I came away from the book with strong feelings about all of the characters, and I attribute that to the excellent writing. ( )
  tloeffler | Jan 23, 2015 |
Very interesting and highly readable account of a possibly shady art deal. Extremely even-handed and apparently objective, even though it was written by the daughter of the very charismatic museum director. Well documented, interesting footnotes. I highly recommend this book to anyone with any interest in art, museums, history of Boston, and fathers. ( )
  Amniot | Jan 1, 2015 |
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The full, inside story of how the discovery of a previously unknown painting by Raphael, the Italian Renaissance master, went from media sensation to career-destroying scandal. On the eve of its centennial celebrations in December, 1969, the Boston Museum of Fine Arts announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon afterward, an Italian art sleuth began investigating the details of the painting's export from Italy, challenged the museum's right to ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate the artwork's very authenticity. While these contests played themselves out on the international stage, the crisis deepened within the museum as its charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his thirty-year career. The facts about the forces that converged on the museum, and how they led to Rathbone's resignation as director, is only now fully revealed in this compelling, behind-the-scenes story that reveals how the art world, media, and museums work. This is for anyone who relishes stories of the business of art.

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