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Vanishing

par Gerard Woodward

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From London's Soho underworld to the battlegrounds of North Africa, an odyssey following the exploits of an enigmatic camouflage officer--and brilliant painter--during World War II.
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Rambling story that has a strange intensity. Too long and involved, but good if you persevere. Reviewed for Booklist. ( )
  jenzbaker | Oct 25, 2015 |
Kenneth Brill, shape shifter, possibly an imaginary creation, spins a web of narrative from the silk of his talent for vanishing things - from his home at Heathrow, to his friends. At times he appears to be one of Evelyn Waugh's naive heros, always being caught accidentally in compromising situations. At times, we wonder if he really is the master criminal he might appear to be. And sometimes he isn't there at all. A compelling and breathless read, complex, intriguing, and moving.
  otterley | May 24, 2015 |
Vanishing – A Master of Storytelling

Gerard Woodward returns with a meandering story of war, art, betrayal that has black humour and at times moving, Vanishing is a huge and complex novel. If you are looking for a fast paced spy thriller that bowls straight in to espionage then you will be disappointed, but this book is very clever, subtle and by the time you have finished quite rewarding. At all times you are questioning yourself about the central character, his actions, his thoughts and at times his sheer stupidity, but at no time in the book is the ending telegraphed, you have to read Vanishing to find out that answer.

Lieutenant Kenneth Brill is on trial for espionage, he is accused of spying for the enemy through his art, and that he is an accomplished artist and the army had used him as a camouflage expert at El Alamein and was successful at his job. He is being court marshalled for painting on the Heath that is about to become a new wartime aerodrome, the Heath where he grew up, attended school and his family lived. Today we know this aerodrome as Heathrow Airport, and through the book we get a picture of old Heathrow with very few landmarks left other than The Three Magpies on the Bath Road.

As a central character Kenneth Brill is probably one of the most exasperating characters I have read in a long time, there are times you feel like screaming at him, or at least his defence counsel ought too! Brill has no or little understanding of himself, his nature or the world about him, at times he comes across as quite innocent, sometimes quite stupid. Throughout the book Brill comes across as not understanding his own motives so the motives of others are completely lost on him. This would be one way of explaining some of the situations he finds himself.

One of the interesting tricks that Woodward does throughout the book to break up the story is the mixing of times, from the present of the court martial to his childhood, university and life after. So going backwards then back to the court martial gives you the depth of the character of Brill and his associates who seem to get him in various troubled situations.

This is an excellent book written by a wonderful storyteller who draws you in and leaves you guessing all the way to the end. The story is well researched and brings up the lost world of Heathrow before the airport, like a lot of places in England, the lost old England now covered in concrete. A different and much welcome take on how to tell both a war and spy story where even the clues are in the text but you really do have to work it out yourself. ( )
  atticusfinch1048 | May 20, 2015 |
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To Suzanne,
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From London's Soho underworld to the battlegrounds of North Africa, an odyssey following the exploits of an enigmatic camouflage officer--and brilliant painter--during World War II.

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