Cliquer sur une vignette pour aller sur Google Books.
Chargement... The Forsyte Saga / A Modern Comedypar John Galsworthy
Aucun Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. A MODERN COMEDY: Comprising The White Monkey / The Silver Spoon / Swan Song, this second trilogy of the Forsyte Saga concentrates on Soames' daughter Fleur and her marriage. Set in the 1920s, there's a great contrast between the sparkling set and the old guard, with dear old Soames soldiering on bravely among high-class chancers of various kinds, and the new branches of his family. Fleur goes on making mistakes and being Fleur, and it's just a great read, although a bit of an unwieldy one, as this volume contains the first trilogy too! aucune critique | ajouter une critique
Appartient à la sérieThe Forsyte Chronicles (omnibus 1-6) ContientA louer par John Galsworthy (indirect) Aux aguets par John Galsworthy (indirect) Indian Summer of a Forsyte par John Galsworthy (indirect) Awakening par John Galsworthy (indirect) Le singe blanc par John Galsworthy (indirect) Two Forsyte Interludes par John Galsworthy (indirect) La cuillère d'argent (Comédie moderne) par John Galsworthy (indirect) Le chant du cygne (Comédie moderne) par John Galsworthy (indirect) A Silent Wooing par John Galsworthy (indirect)
Aucune description trouvée dans une bibliothèque |
Discussion en coursAucunCouvertures populaires
Google Books — Chargement... GenresClassification décimale de Melvil (CDD)823.9Literature English English fiction Modern PeriodClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
Est-ce vous ?Devenez un(e) auteur LibraryThing. |
Soames Forsyte is one of the least likable yet most pitiable characters I have ever encountered. He is smug and arrogant and driven by money and property, and yet he is so a victim of who he is, who he has been raised to be, and in the end it is himself he hurts the most. I have seldom felt more genuine affection and admiration for any character as that I felt for Old and Young Jolyon. Each so remarkable in his own way and able to make me smile as if I were sitting in his presence and knew him. And then there is Irene. What a complicated and interesting woman! I swung across the pendulum on my feelings for Irene. At moments I blamed her, chastised her, cried for her and loved her. What makes the book so meaningful, to me, is the depth of the souls Galsworthy presents for our dissection and how beautifully human and flawed they all are.
I want to drone on about this book, but I do not want to give away anything for those who might decide to read it, and it would be so hard to discuss anything salient without divulging the secrets that lurk at the heart of the novel. Suffice it to say, I would recommend this highly to anyone who enjoys reading about people who might have lived, indeed might still live dressed up in different garb and lured by money more than by love.
If I were to compare Galsworthy's writing to anyone, it would be Edith Wharton. Both understood what it was to be in the upper-class and what it was to want to be there, the sacrifices sometimes extracted for that climb, and the hollowness of money when it comes to possess you more than you possess it. ( )