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L'ange sur le toit (2000)

par Russell Banks

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540844,992 (3.78)11
With The Angel on the Roof, Russell Banks offers readers an astonishing collection of thirty years of his short fiction, revised especially for this volume and highlighted by the inclusion of nine new stories that are among the finest he has ever written. As is characteristic of all of Bank's works, these stories resonate with irony and compassion, honesty and insight, extending into the vast territory of the heart and the world, from working-class New England to Florida and the Caribbean and Africa. Broad in scope and rich in imagination, The Angel on the Roof affirms Russell Banks's place as one of the masters of American storytelling.… (plus d'informations)
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» Voir aussi les 11 mentions

Affichage de 1-5 de 8 (suivant | tout afficher)
Intricately knit, and fairly well written, collection of short stories that are character driven. Some of the exposition is sharp and remarkable-- other times it falls flat. I was surprised, as well as disappointed, engaged, sighing, and enjoying all the different short stories in this collection. With such a mixed bag, it is hard to assign a rating, but I believe that 3 stars is the correct one.

It is worth the read for those interested in contemporary short stories. For those into that, go for it. ( )
  DanielSTJ | May 2, 2019 |
There was a bit I liked: the links between all of the "trailer park" stories; some of the narrative weight a few of the stories had; and some deft prose here and there. But overall, I was unimpressed. In the concluding notes, Banks says that is clear to him how much he's grown as an author. And it's true — the earlier stories read like rough drafts, and more often than not make me feel like I'd be better off just job-shadowing caustic drunks and dead-beat dads for a day instead of reading flat prose about them. ( )
  wordsampersand | Dec 6, 2018 |
Il titolo L'angelo sul tetto allude alla figura astratta e alata che vorremmo amico invisibile e custode della nostra sorte. D'altra parte a chi potrebbero rivolgersi i protagonisti di questi racconti, i "White Trash",la spazzatura bianca, i vinti dalla vita, dal sistema americano, scarti al margine della società di benestanti e di uomini di successo?
Bella l'introduzione curata dallo stesso autore, che ricorda i racconti e le riflessioni della madre.
I suoi protagonisti sono operai, mogli abbandonate, camionisti, gente che vive la precarietà in casupole o in roulotte e che disperatamente sogna quello che altri disprezzano: la normalità.
L'angelo custode, l'angelo ascoltatore è proprio Russell Banks ( )
  cometahalley | Jul 21, 2013 |
Banks tops the list of my favorite writers. Every story in this collection was unique and surprising, not in a purposely shocking sort of way, but in a unique, creative and perceptive way. While Banks is known as a novelist, he is a master at the short form. While he writesfrom a distinctly male point-of-view, his stories do not lack empathy.
In Angel On The Roof he writes about lives of loneliness and desperation, the action taking place in a trailer park. Banks often explores the relationship between father and son. Most of his characters appear in several stories, giving "Angel..." a sense of continuity. His male characters tend to be oblivious, but we care about them. In "Fisherman", an old ice fisherman stashes away his $50,000.00 lottery winnings, causing the inhabitants of the trailer park to reveal their true natures as they vie for his largesse. Throughout these stories we experience a landscape deeply lived in, and lives that, because they will not respond to change or grow, are faced with a grim future. Most important are the relationships we uncover through Banks powerful writing. They remain the focus of the collection, gleaned from over 25 years of Banks best short writing. Hugely recommended. ( )
  mmignano11 | Dec 9, 2012 |
Russell Banks continues to be an author who makes me regret not having found him earlier in my life. On the other hand, I wonder if I would have been able to truly appreciate him before now, or if his particular blend of melancholy and regret are only suited to the man I've become.

This is a great collection of short stories, and it was especially exciting to see his occasional jumps outside the comfort zone of rural New Hampshire. Still, my favorites from the collection are probably "The Fisherman" and "Plains of Abraham," both of which manage to merge Banks' genius at characterization with a compelling story. "The Moor" is also great, although it lacks much in the way of plot. ( )
  jawalter | Nov 18, 2012 |
Affichage de 1-5 de 8 (suivant | tout afficher)
In the course of nearly 40 years of steady industry, during which he has turned out 13 books of fiction, Russell Banks has allowed his imagination to range freely across time and geography. He has observed the hard realities of life in the contemporary Caribbean in ''The Book of Jamaica'' and ''Continental Drift,'' concocted a creepy, parallel-universe 17th century in ''The Relation of My Imprisonment'' and sung the battle hymn of Harpers Ferry and Bleeding Kansas in ''Cloudsplitter,'' his swollen saga of the life of John Brown. But with the same kind of homing-pigeon intuition that keeps Philip Roth returning to North Jersey in the 1940's and 50's, Banks always circles back to his own native ecosystem -- the bare, wintry towns of central New England and upstate New York in the raw confusion of the present and the recent past.

In ''The Angel on the Roof,'' a collection of 31 stories, 22 gleaned from four earlier collections of short fiction along with nine that are appearing between hard covers for the first time, Banks pauses to examine the guilty conscience of an American businessman in Africa, the inner life of Edgar Allan Poe and the final musings of Simon Bolivar. But these moments seem anomalous. They detract from the cumulative force of the collection, which comes from its relentless anatomy of contemporary life in the northeastern United States.
ajouté par aathiessen | modifierNew York Times, A. O. Scott (Jun 25, 2000)
 

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With The Angel on the Roof, Russell Banks offers readers an astonishing collection of thirty years of his short fiction, revised especially for this volume and highlighted by the inclusion of nine new stories that are among the finest he has ever written. As is characteristic of all of Bank's works, these stories resonate with irony and compassion, honesty and insight, extending into the vast territory of the heart and the world, from working-class New England to Florida and the Caribbean and Africa. Broad in scope and rich in imagination, The Angel on the Roof affirms Russell Banks's place as one of the masters of American storytelling.

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