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Edge

par Koji Suzuki

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1053262,088 (3.37)1
Edge begins with a massive and catastrophic shifting of the San Andreas fault. The fears of California someday tumbling into the sea--that have become the stuff of parody--become real. But even the terror resulting from this catastrophe pales in comparison to the understanding behind its happening, a cataclysm extending beyond mankind's understanding of horror as it had previously been known. The world is falling apart because things are out of joint at the quantum level, about which of course there's never been any guarantee that everything has to remain stable. Koji Suzuki returns to the genre he's most famous for after many years of "not wanting to write any more horror." As expected from Suzuki, the chills are of a more cerebral, psychological sort, arguably more unsettling and scary than the slice-and-dice gore fests that horror has become known in the U.S. Never content to simply do "Suzuki"--as it were--but rather push the envelope on what horror is in general and for which readers have come to know him, Edge City borders on being cutting-edge science fiction. The author himself terms this novel, which he has worked on for some years, a work of "quantum horror."… (plus d'informations)
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The blend of quantum physics and biology was compelling enough for me to finish it in two sittings, although the part where Saeko confronts "Seiji Fujimura" towards the end of the book wasn't handled very well (Er, how did she discern an entire conversation between her dad and Kato Fujimura by being in the living room without being THERE at the scene, unless she also possessed psychic qualities like the deceased character Shigeko??) Now, if only theoretical physics was not so swamped with tedious formulas in real life for me to actually delve into, as an actual study topic. I'm sure my Physics teacher would have applauded me for the effort - cough, cough. ( )
  georgeybataille | Jun 1, 2021 |
I thought that this book was going to be a horror novel, but it turned out to be more of a speculative science fiction novel along the lines of "Contact." First published in Japanese and written by the author of "The Ring," this is an introspective and physics-laced alternative to the typical apocalyptic adventure. A strong female protagonist and accounts of "babbling in English" further add to the appeal. ( )
  resoundingjoy | Jan 1, 2021 |
Although Edge is Koji Suzuki's eighth novel to be translated into English, it is the first work of his that I have had the opportunity to read. Suzuki is best known for his horror novel Ring and its numerous adaptations. Edge is also a horror story of sorts, although of a very different kind. Koji has described the novel as "quantum horror," which caught my attention. I was intrigued by the thought of a thriller inspired by science. Noticing that the novel included a four-page bibliography didn't scare me off. In fact, it made Edge even more appealing to me. Originally released in Japan in 2008 (and then again in a revised edition in 2012), Edge was translated into English by Camellia Nieh and Jonathan Lloyd-Davies and published by Vertical in 2012. Vertical was also the English publisher of Suzuki's previous seven novels.

Eighteen years ago, Saeko Kuriyama's father disappeared without a trace, leaving behind only the love of science and critical thinking that he instilled in his daughter. Those skills have served her well as a journalist. Now she has become involved in investigating a case that hits very close to home for her: in Takato, Japan an entire family of four, the Fujimuras, have mysteriously vanished from their home, seemingly without reason or cause. Japan isn't the only place where people have gone missing without explanation. As more and more cases are brought to light, Saeko and the other people with whom she is working are able to begin to piece together some theories. The patterns they identify are troubling at best; the underlying laws that bind the universe together seem to be falling apart. When even the scientific experts are terrified by what's happening, what hope does the rest of the population have?

Edge starts out strongly with a lot of promise. The prologue introduces the missing persons phenomena and the startling discovery of the change in the value of pi. The thought of the very fundamentals of mathematics and the laws of physics shifting just slightly and the resulting implications that would have is intriguing and fascinating to contemplate. Unfortunately, it takes Suzuki nearly three quarters of the novel to tie the prologue back into the main narrative. During that time Saeko is dealing with her own personal problems while she is investigating the disappearances of the Fujimuras, finding strange connections to other mass disappearances. While this is going on Suzuki also introduces a quite a few plot threads that don't end up going anywhere. Sadly, I found much of Edge to be a bit of a slog to read.

At times, Edge reads like a layman's introduction to higher level physics, mathematics, astronomy, evolution, and other scientific concepts. Personally, I found it all to be very interesting, but not particularly compelling as a novel. Still, it is the science-influenced horror which is the novel's strength. As Edge approaches its climax, Suzuki reveals a very intriguing explanation for everything that is happening. As one of the characters states, even the "coincidences all had significance." But then Suzuki abandons the science in favor of pseudo-science and the supernatural which comes out of nowhere and makes little sense within the context of the rest of the story. I actually felt a little betrayed. Ultimately, I was left both frustrated and disappointed by Edge. It started with such great promise but ended in such a confusing mess. I'd still be willing to give another of Suzuki's works a try, but Edge doesn't inspire a lot of confidence.

Experiments in Manga ( )
1 voter PhoenixTerran | Mar 8, 2013 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Koji Suzukiauteur principaltoutes les éditionscalculé
Lloyd-Davies, JonathanTraducteurauteur secondairequelques éditionsconfirmé
Marburger, KatrinTraducteurauteur secondairequelques éditionsconfirmé
Nieh, CamelliaTraducteurauteur secondairequelques éditionsconfirmé

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If the world as we know it ever begins to collapse, then our first signal would be a small shift in mathematics.
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Edge begins with a massive and catastrophic shifting of the San Andreas fault. The fears of California someday tumbling into the sea--that have become the stuff of parody--become real. But even the terror resulting from this catastrophe pales in comparison to the understanding behind its happening, a cataclysm extending beyond mankind's understanding of horror as it had previously been known. The world is falling apart because things are out of joint at the quantum level, about which of course there's never been any guarantee that everything has to remain stable. Koji Suzuki returns to the genre he's most famous for after many years of "not wanting to write any more horror." As expected from Suzuki, the chills are of a more cerebral, psychological sort, arguably more unsettling and scary than the slice-and-dice gore fests that horror has become known in the U.S. Never content to simply do "Suzuki"--as it were--but rather push the envelope on what horror is in general and for which readers have come to know him, Edge City borders on being cutting-edge science fiction. The author himself terms this novel, which he has worked on for some years, a work of "quantum horror."

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