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Chargement... Picture of Liespar C. C. Harrison
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Investigative journalist Keegan Thomas has been living a nightmare of guilt and grief since her little girl, Daisy, was kidnapped practically in front of her eyes. When the police investigation stalled, she turned her grief to anger and buried herself in her work searching for missing children, her own included. The result was an award-winning series of articles on unsolved child abductions. Then came the inevitable burnout. On what is supposed to be a working vacation, Keegan travels to Monument Valley on the Navajo Indian Reservation seeking the whereabouts of people in an old photograph found in her grandfather's belongings after his death. But the Indians do not welcome this nosy stranger carrying a picture of their old people, some of them dead. While navigating the mysterious ways of the Navajo, Keegan is told one of the children in the photograph was kidnapped by missionaries and taken to a boarding school. Keegan's search for the child leads to a web of deception that stretches back two generations, and the truth Keegan learns about her own family is the most shocking betrayal of all. Nothing can prepare her for the danger she encounters when she becomes the target of a powerful U.S. senator who will do anything to stop her from telling what she knows about the Picture of Lies. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.6Literature English (North America) American fiction 21st CenturyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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I love Monument Valley, and I'm happy to say that Harrison does a good job of giving readers a feel for the vast distances and incredible beauty of the area. I also liked her portrayal of the Navajo characters in the book. I had mixed reactions to Keegan and her archaeologist love interest, Dante, however.
Dante is a handsome, intelligent, caring hunk with a deep dark secret in his past. We get to see the reason why he's hiding out in one scene, but I felt that more about this could have been added throughout the story to make him an even stronger character. The relationship between Dante and Keegan also gathers speed and seriousness a bit too quickly in comparison to how they behaved toward each other in the first sections of the book.
I found Keegan to be a mixture of girl-next-door, journalistic pit bull, and incredible naivete. When she decides to drive off across the desert not knowing where she's going (and not telling anyone what her plans were), equipped with improper clothing, very little water, and a cell phone that didn't work in the area, I just shook my head and rolled my eyes. If it sounds like I've been out in the middle of nowhere, I have, and her lack of common sense greatly disappointed me.
This isn't the only time she experiences the unforgiving nature of this place, and although I may bemoan her lack of survival smarts, these scenes do give readers a real sense of what it's like out there. When Keegan travels with one of the Navajo, the Navajo knows all the rutted tracks to the places they're traveling to; very little driving is done on paved roads. In fact, paved roads are few and far between, and when Keegan mentions leaving Kayenta and turning off on the "interstate" when heading to Window Rock, don't believe her. There are no interstates up there.
By book's end, two important plot threads are left untied, which makes me wonder about future Keegan Thomas books. With the setting, the customs of the Navajo, and a very intriguing mystery in Picture of Lies, I would be willing to read further... as long as Keegan packs a hat and plenty of water. ( )