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The Best British Poetry 2011

par Roddy Lumsden

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"The Best British Poetry 2011" presents the finest and most engaging poems found in British-based literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry, including lyric, formal and experimental poetry. Each poem is accompanied by a note by the poet themselves, explaining the inspiration for the poem and why they decided to write the poem in that form. The format of the book will be familiar to those who have seen similar annual selections made in other countries such as Ireland, Australia and especially the US, where the equivalent annual book is a popular yet controversial landmark in each year's literary calendar. At a time when print journals still retain their significance and popularity and when new sites are flourishing on the web, this book offers a snapshot of current poetry practices in the country by offering a diverse selection of excellent poems.… (plus d'informations)
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This book is based on the The Best American Poetry series of anthologies founded in the late 1980’s, and has been compiled from various British sources. The selection was chosen from UK- based Poetry magazines, Literary journals and online publications issued between spring 2010 and spring 2011, by the Scottish poet Roddy Lumsden, who also wrote the introduction. His aim in compiling this collection was that the material gathered should represent the rich variety of current UK poetry, including lyric, formal and experimental writing, that it should also represent the diversity of the poetry scene from established poets such as Patrick McGuinness, George Szirtes and Nii Ayikwei Parkes through to a newcomer Emma Page who is represented by her first published poem. The poets included are either from the UK or are based here, there are poets originally from the US, Ghana, Ireland, South Africa, Iran, Hungary, Australia, Zambia & show the multiplicity of poetry whether mainstream or experimental within the United Kingdom.
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Each poem within this stunning jewel of a book is accompanied by a note from the poet, giving a little detail of their lives and an explanation of why they wrote this particular poem, providing us, the reader, with added insight into the writing of each piece. This adds a wonderful dialogue to the collection wherein your own interpretation of a poem can be compared with the original writers ideas. In the introduction Roddy Lumsden states that “ the end result is, I hope, a snapshot of what is happening at present in non-book publication of poetry in the UK” and if this is the case it chimes with what another poet (Nuala Ní Chonchúir) recently said to me, that being “ poetry is in a healthy state in the sense that it is being written and published, and there are a lot of readings taking place. The small presses keep poetry alive”, to which we owe a hearty thanks.

Three Wishes

What is it then? A gold-yoked goose egg. A wild bean-stalk.
The flatness of adulation. Being always young. The King, the Castle.
Wheat stalks spindled to flash and twine.

Or a cozening, a camera snap that keeps you, fleece-wrapped and obdurate
as a retouched grave, a quiet pearl.

A thick sleep saved from thistling worry. A cleaned thick-brick, gated place --
chrome and cream: control.
Wired yammering to drown the sullen, rising sea.

Remember now, how the girl requested a tattooed point of light, a refined star--
woke to the blinding, ink-scrawled sail of space,
unbounded clusters, galaxies, cankering in her skin.
Kate Potts.

http://parrishlantern.blogspot.co.uk/2012/01/best-british-poetry-2011.html ( )
  parrishlantern | Jul 3, 2012 |
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"The Best British Poetry 2011" presents the finest and most engaging poems found in British-based literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry, including lyric, formal and experimental poetry. Each poem is accompanied by a note by the poet themselves, explaining the inspiration for the poem and why they decided to write the poem in that form. The format of the book will be familiar to those who have seen similar annual selections made in other countries such as Ireland, Australia and especially the US, where the equivalent annual book is a popular yet controversial landmark in each year's literary calendar. At a time when print journals still retain their significance and popularity and when new sites are flourishing on the web, this book offers a snapshot of current poetry practices in the country by offering a diverse selection of excellent poems.

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