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Holding on to the Air: An Autobiography

par Suzanne Farrell

Autres auteurs: Toni Bentley

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1731159,923 (4)1
"Absolutely spellbinding: ballerina Farrell's autobiography is the story of someone doing exactly what she wanted in life, and loving every minute of it. Through her work with George Balanchine, it is also the story of one of the greatest artistic collaborations in dance. . . . An uplifting, splendid memoir."--Kirkus "An extraordinarily moving story."--New York Times Book Review "Farrell's story is not only that of a great dancer but of a great star. . . . this book is important. The subject is great, the views of Balanchine are real and unique."--Washington Post Book World Suzanne Farrell, world-renowned ballerina, was one of George Balanchine's most celebrated muses and remains a legendary figure in the ballet world. This memoir, first published in 1990 and reissued with a new preface by the author, recounts Farrell's transformation from a young girl in Ohio dreaming of greatness to the realization of that dream on stages all over the world.  Central to this transformation was her relationship with George Balanchine, who invited her to join the New York City Ballet in the fall of 1961 and was in turn inspired by her unique combination of musical, physical, and dramatic gifts. He created masterpieces for her in which the limits of ballet technique were expanded to a degree not seen before.  By the time she retired from the stage in 1989, Farrell had achieved a career that is without precedent in the history of ballet. One third of her repertory of more than 100 ballets were composed expressly for her by such notable choreographers as Balanchine, Jerome Robbins, and Maurice Bejart.  Farrell recalls professional and personal attachments and their attendant controversies with a down-to-earth frankness and common sense that complements the glories and mysteries of her artistic achievement.   Suzanne Farrell has staged Balanchine's ballets in New York, Boston, Seattle, and Miami and for the Vienna Opera Ballet, the Kirov, and the Bolshoi. She is the subject of an Academy Award nominated documentary, Suzanne Farrell--Elusive Muse. A professor of dance at Florida State University in Tallahassee, she also teaches a summer ballet course at the Kennedy Center for the Performing Arts in Washington, D.C. In the fall of 2000, the Suzanne Farrell Ballet was launched as an ongoing partnership with the Kennedy Center.… (plus d'informations)
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This is a true look at a ballerina's life - if she was muse to and romantic dream of George Balanchine. Suzanne Farrell's humble beginnings as one of a trio of daughters of a devoted mother and a divorced and absent dad may have added to her fascination with a father figure, a man who was forty years older than she and had already married and discarded five prima ballerina wives, but she thrived through all the ballets Balanchine "made on her" - yes, that's the description used in the profession. She and Balanchine were inseparable - though Farrell is ambiguous as to whether their close relationship was ever sexual in nature - until she fell in love with Paul Mejia, a company dancer. Although she felt that she could maintain a balance between and with both men, Balanchine could not, and banished Mejia from the company. Farrell quit in protest and ended up an outcast, as no American ballet companies would hire her and risk Balanchine's wrath. She danced with the Maurice Bejart company in Europe and gained new acting and expressive skills, but ultimately, she and Balanchine reconciled and became close again until his death, which devastated her. The story ends with the publication of this1990 memoir and with a triumphant teaching stint at the Bolshoi. A must read for any ballet lover. ( )
  froxgirl | May 31, 2024 |
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Suzanne Farrellauteur principaltoutes les éditionscalculé
Bentley, Toniauteur secondairetoutes les éditionsconfirmé
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"Absolutely spellbinding: ballerina Farrell's autobiography is the story of someone doing exactly what she wanted in life, and loving every minute of it. Through her work with George Balanchine, it is also the story of one of the greatest artistic collaborations in dance. . . . An uplifting, splendid memoir."--Kirkus "An extraordinarily moving story."--New York Times Book Review "Farrell's story is not only that of a great dancer but of a great star. . . . this book is important. The subject is great, the views of Balanchine are real and unique."--Washington Post Book World Suzanne Farrell, world-renowned ballerina, was one of George Balanchine's most celebrated muses and remains a legendary figure in the ballet world. This memoir, first published in 1990 and reissued with a new preface by the author, recounts Farrell's transformation from a young girl in Ohio dreaming of greatness to the realization of that dream on stages all over the world.  Central to this transformation was her relationship with George Balanchine, who invited her to join the New York City Ballet in the fall of 1961 and was in turn inspired by her unique combination of musical, physical, and dramatic gifts. He created masterpieces for her in which the limits of ballet technique were expanded to a degree not seen before.  By the time she retired from the stage in 1989, Farrell had achieved a career that is without precedent in the history of ballet. One third of her repertory of more than 100 ballets were composed expressly for her by such notable choreographers as Balanchine, Jerome Robbins, and Maurice Bejart.  Farrell recalls professional and personal attachments and their attendant controversies with a down-to-earth frankness and common sense that complements the glories and mysteries of her artistic achievement.   Suzanne Farrell has staged Balanchine's ballets in New York, Boston, Seattle, and Miami and for the Vienna Opera Ballet, the Kirov, and the Bolshoi. She is the subject of an Academy Award nominated documentary, Suzanne Farrell--Elusive Muse. A professor of dance at Florida State University in Tallahassee, she also teaches a summer ballet course at the Kennedy Center for the Performing Arts in Washington, D.C. In the fall of 2000, the Suzanne Farrell Ballet was launched as an ongoing partnership with the Kennedy Center.

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