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The Golden Lotus Volume 1 (of 2)

par Lanling Xiaoxiaosheng

Autres auteurs: Voir la section autres auteur(e)s.

Séries: Chin P'ing Mei (1)

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"The greatest novel of physical love which China has produced." --Pearl S. Buck A saga of ruthless ambition, murder, and lust, The Golden Lotus (Jin Ping Mei) has been called the fifth Great Classical Novel in Chinese literature and one of the Four Masterworks of the Ming novel. Admired in its own time for its literary qualities and biting indictment of the immorality and cruelty of its age, it has also been denigrated as a "dirty" book for its sexual frankness. It centers on Ximen Qing, a wealthy, young, dissolute, and politically connected merchant, and his marriage to a fifth wife, Pan Jinlian, literally "Golden Lotus." In her desire to influence her husband and, through him, control the other wives, concubines, and entire household, she uses sex as her main weapon. The Golden Lotus lays bare the rivalries within this wealthy family while chronicling its rise and fall. It fields a host of vivid characters, each seeking advantage in a corrupt world. The author of The Golden Lotus is Lanling Xiaoxiaosheng, whose name, a pseudonym, means "Scoffing Scholar of Lanling." His great work, written in the late Ming but set in the Song Dynasty, is a virtuoso collection of voices and vices, mixing in poetry and song and sampling different social registers, from popular ballads to the language of bureaucrats, in order to recreate and comment mordantly on the society of the time. This edition features a new introduction by Robert Hegel of Washington University, who situates the novel for contemporary readers and explains its greatness as the first single-authored novel in the Chinese tradition. This translation contains the complete, unexpurgated text as translated by Clement Egerton with the assistance of Shu Qingchun, later known as Lao She, one of the most prominent Chinese writers of the twentieth century. The translation has been pinyinized and corrected.… (plus d'informations)
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There is a Ravel like rhythm and repetition that pervades this 16th-17th century Chinese novel. Eat lasciviously, have adulterated sex with any and everyone, use one’s corrupted wealth for bribery, intimidation and violence, now repeat. At times it feels like a little too much of the same thing. Yet, to fully understand and appreciate this novel, it has to be read in context. The author is making a statement about society during his lifetime (cloaked as 12th-century China). He depicts a wealthy man who is lazy and foul and wastes his inheritance on excessive food, alcohol and women. He lives in a veritable house of cards. One sees chinks in his life-structure immediately. He manages to superficially and repeatedly mend these chinks through successful bribes and corruption, which only serve to further embolden him. He will stop at nothing to protect his life style, including violence. This story has a dramatic telling. It is a saga whose purpose is to depict corrupt individuals, especially those in government and other places of power. It does that and more. It illustrates how history truly does repeat itself while providing a glimpse of the social customs of the time. I am intrigued and look forward to reading the next installment of this early satiric social commentary. ( )
  BALE | May 17, 2020 |
One of the classics of Chinese Literature, along with Journey to the West, The Water Margin, The Dream of the Red Chamber and Romance of the Three Kingdoms, is less well known despite being racier in tome. Tells the story of a dissolute, wealthy young man who along with his similarly dissolute friends, loses his fortune.
It tells the story of a woman, Pin Jinlian (the golden lotus of the title), who through her manipulations becomes the leading wife of Ximen Qing, the young man.
  xieouyang | Apr 11, 2018 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Xiaoxiaosheng, Lanlingauteur principaltoutes les éditionsconfirmé
Clement EgertonTraducteurauteur secondairequelques éditionsconfirmé
Hegel, Robert E.Introductionauteur secondairequelques éditionsconfirmé
Shu QingchunContributeurauteur secondairequelques éditionsconfirmé

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"The greatest novel of physical love which China has produced." --Pearl S. Buck A saga of ruthless ambition, murder, and lust, The Golden Lotus (Jin Ping Mei) has been called the fifth Great Classical Novel in Chinese literature and one of the Four Masterworks of the Ming novel. Admired in its own time for its literary qualities and biting indictment of the immorality and cruelty of its age, it has also been denigrated as a "dirty" book for its sexual frankness. It centers on Ximen Qing, a wealthy, young, dissolute, and politically connected merchant, and his marriage to a fifth wife, Pan Jinlian, literally "Golden Lotus." In her desire to influence her husband and, through him, control the other wives, concubines, and entire household, she uses sex as her main weapon. The Golden Lotus lays bare the rivalries within this wealthy family while chronicling its rise and fall. It fields a host of vivid characters, each seeking advantage in a corrupt world. The author of The Golden Lotus is Lanling Xiaoxiaosheng, whose name, a pseudonym, means "Scoffing Scholar of Lanling." His great work, written in the late Ming but set in the Song Dynasty, is a virtuoso collection of voices and vices, mixing in poetry and song and sampling different social registers, from popular ballads to the language of bureaucrats, in order to recreate and comment mordantly on the society of the time. This edition features a new introduction by Robert Hegel of Washington University, who situates the novel for contemporary readers and explains its greatness as the first single-authored novel in the Chinese tradition. This translation contains the complete, unexpurgated text as translated by Clement Egerton with the assistance of Shu Qingchun, later known as Lao She, one of the most prominent Chinese writers of the twentieth century. The translation has been pinyinized and corrected.

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