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Chargement... The Proof of Love (2011)par Catherine Hall
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. I was really gripped by this story of Spencer Little, a Cambridge mathematician who spends a summer helping on a farm in the Lake District to try and escape from the social pressures of Cambridge life and give himself some space to make progress with his work. It's set during the 1976 heatwave in the UK; the farm and the countryside are suffering from the dry weather and the heat and despite himself Spencer finds he is getting caught up in the life of the farm and strikes up a friendship with the farmer's ten year old daughter, Alice. The plot is a slow burn but the conclusion, when it comes, is both tragic and chilling.
The novel hinges on the idea of "proof", the "pure, uncontaminated" witness to truth of mathematics as against the slippery and dubious evidences of the mortal world. The Proof of Love is written in a quiet style; its plot has a slow burn. The novel feels constructed, its people having something of the quality of characters in a fable. The young man gravitates towards a relationship with a 10-year-old girl, Alice, promising for both but ultimately disastrous for them. On the realistic level this does not work well, the conversations between man and girl having a heavy and sometimes mawkish meaningfulness. What distinguishes this novel is less its characterisation and narrative than a quality that might rather be called georgic than pastoral...There are shades of Wordsworth in this Lakeland tale Prix et récompenses
A dazzling second novel from the author whose debut was compared to Sarah Waters and Daphne Du Maurier and won her tens of thousands of readers. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)823.92Literature English English fiction Modern Period 2000-ÉvaluationMoyenne:
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I enjoyed reading this book, getting into Spencer's life and trying to understand what had brought him to Cumbria. I liked the friendship with Alice, would have loved to have more Dorothy, and found the end pretty devastating although also disappointing in the sense that it seemed to reproduce that old cliché about non-straight characters only being acceptable when things end somehow nastily for them that felt like a let-down after everything. I'm not saying happy endings should be mandatory, how boring and trite would that be, but this one felt simply nasty rather than bleakly realistic. ( )