This is one of the most amazing stories I have read in a long time. It takes the well-known tale of the Ugly Duckling and not only conveys its original meaning in a "modern day" setting, but adds another layer of interpretation in a domination/submission context.

Where do I even start? The world-building is excellent, with an avian shifter culture that is fresh, believable and utterly fascinating. The plot, even though well known, is put into a new perspective with a fascinating twist at the end that takes its message beyond the original. The language and descriptions are vivid and enjoyable, words and expressions an avian culture might use are integral to the way the characters think and speak. The domination/submission aspects are handled with care and sensitivity.

As for the characters? They held me spellbound. Ori, the duckling shifter, is so lost and lovable in his search for what species exactly he might be when he grows up, you just have to love him. He has all the traits we think of when we hear "duck", except he is a human struggling with his role in life. Raynard, the hawk shifter, is the quintessential strong and responsible Dom, who sees the world in terms of hunter and prey, but has a lot of potential for caring inside him that he isn't even aware of. Both of them have to learn a lot as they teach each other what it is they each need in a relationship, and, ultimately, what their roles are in life and in the avian shifter community.

I thought this was a stunning read!
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In a serious shift (no pun intended) from the earlier books on this list, both of these are m/m romances with some BDSM in them. I thought they sounded a little odd, but I generally trust the opinions of the person who recommended them on Goodreads, and she was right about these. Granted, you have to be interested in m/m romances, which I am—I say because I have gay characters in my novels, but I’m actually starting to like the well-written ones because they’re just as good as anything else out there, they’re just a very marginalized niche genre. What initially fascinated me about these two books is the way the avian society is organized. They live mostly in human form, but they know, usually, what species of bird they are going to be from when they are young to when they shift officially to avian form for the first time in front of the council. In the case of Ori, the submissive character in Duck!, he doesn’t know what he is; he was raised among humans, only learned he was a shifter about six months earlier, and has been dubbed an ugly duckling, occupying the lowest rung in the nest. Each species has a specific task, and since no one knows what he is, he’s given menial tasks where he is tormented by his co-workers (crows, I think it was in this case). They are caught red-handed when they have thrown dishes at Ori, who is trying to clean them up, when a high ranking Hawk happens to be passing by, Raynaud. In an interesting part of their culture, all species have their species sign tattooed on their wrists that they use as a form of introduction, and everyone immediately knows where the others stand. Ori doesn’t have a tattoo, because no one knows what he is. Raynaud takes him to work at his home, and their master/slave relationship commences. Where Reynaud is very sure of himself and his place, Ori is in constant motion, always cleaning things and fixing things, expecting to be passed along to another “owner” at any time. They end up falling in love, and when the time comes for Ori to shift in front of the council, he shifts into a very rare Swan, the highest ranking of all the avian species. Immediately, he is whisked to the palace and given a huge living space which makes him extremely uncomfortable—in fact, the whole thing makes him uncomfortable. He just wants things to go back to the way they were with Raynaud. Raynaud, in the meantime, is going through a period of guilt that he was treating Ori as a possession when he was a Swan, a King. Ori doesn’t care. Finally the council agrees to let Reynaud work with Ori, basically to make sure he keeps himself out of danger, and their relationship continues under that guise. Magpie starts a little later than Duck!—I’m not entirely sure how long, because Ori is much more sure of himself in this one, but he isn’t a main character, more of a very influential side character. The two main characters are Everet (who is briefly seen as a character helping Ori once he becomes King in Duck!), a Raven who is part of the security team for the nest, and Kane, a drug-addicted young Magpie who will do literally anything for his next fix, and has been for the bulk of his teenage years. They meet when Everet is called to bring Kane in for thievery, at the request of the owner’s club he was “working” in. Kane has been beaten horribly, and looks on the brink of death. Everet tells the Elders he will take responsibility for rehabilitating Kane, which they think is impossible and a waste of time. Magpies will always steal. Kane takes more steps backward than he does forward, and is a huge challenge for Everet, who is unwilling to give up on him—early on because he thinks Kane has potential, and as the novel progresses, because he starts to fall in love with him. Kane continues to frustrate until Everet finds a solution, at least temporarily, of him spending time working on the cleaning crews, because Kane loves to clean things to make them sparkle. He does so well that eventually Everet has a huge surprise for him—he takes him down to a vault, where Ori is waiting, and in the vault is all the silver from the nest, silverware, teapots, everything. If Kane does well at his job, then he can come and polish silver with Ori, who has a hard time not being able to clean anything in his position as King of the Nest. Kane and Ori start to become friends, and Kane realizes he doesn’t have to steal, all of his treasure is right here. His family turns up and tries to ruin things for him, things don’t look so good for awhile, then he is saved by Renaud, Ori, and Everet. I like that the characters work hard (even when they don’t want to, which is probably why they end up having problems again) but even when they screw up, they have managed to make enough friends to help them. One of the other aspects of these books I really liked is that while there is some BDSM, there’s not much, and they feel like love stories—real love stories, not fake contrivances like some other books out there I could name that don’t involve avian shifters, which makes this one cool as well. In Duck! there is also the question of what happens when the dominant partner is suddenly inferior status-wise, and how that is resolved. There is a lot of very badly written material out there covering these themes, and it’s nice to know that Dare spent the time to make these both very loving stories. Yes, they do get explicit, but that’s part of their purpose. They aren’t raunchy. And I liked the covers as well, very tastefully done, and much sexier than the usual in your face, here I am covers. Highly recommended for those into m/m relationship stories.
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I read this book as part of a group read. It was fabulous and I recommend it to any fan of male-male romance.

Ori is a fledgling avian shifter. As he hasn't completed his first full shift, and as he has no idea who his parents are, has no idea of what species of bird he will shift into. Reynard takes him from his very low rank in the aviary (where he is used as anything from dish cleaner to sex toy) to become his personal servant. Reynard is a Hawk, a high ranker in the avian world. Having just inherited a house from his recently deceased uncle, Reynard needs a servant to help him sort out his estate. He feels an immeidiate lusty reaction to Ori, but tampers down his hormones, as he recognises the abuse that his new servant had endured at the hands of the evil crows in the nest. Unfortunately, he fails to factor Ori's feelings into his plan to keep their relationship purely professional, and soon the temptation becomes unbearable. Before he can go into a relationship with Ori, Reynard needs to make sure that the little duckling realises what kind of relationship he would be getting into. Reynard is a Dom, the only way he would accept Ori would be if he were to submit to him as a slave. This means that Reynard would be in complete control of Ori, both in and out of the bedroom. Ori agrees wholeheartedly and jumps into the relationship full on. He deals with the kind and gentle Reynard, as well as he does the hard and animalistic Reynard that appears after a shift. He loves his Master wholeheartedly and is willing to do alomost anything. Nothing can be made official until Ori's first shift, an event which has the potential to make or break their relationships.

I loved this book. The development of the relationship between Ori and Reynard is beautiful. Reynard nurtures Ori, whilst protecting him and building up his sense of self worth. In turn Ori places all his trust in him, which in turn stops Reynard from become twisted and cold. There is a strong BDSM theme with anal sex, whipping, oral sex etc, but I never felt uncomfortable with the content. The emotion is so sweet, yet so strong, that the sex was a natural development. I'm not going to ruin anything in this book, but I think I held my breath for around a quarter of it, and then cried like a baby for the end. The core of the ugly duckling story is taken and ran with in a truly breath-taking story of a love that can cross all class barriers. Like any fable it has a core message....it doesn't matter what people's preconceptions of how you should act are, you get one life and you get to live it how you want!

Read it because it's beautiful. If you only read one M/M give this one a go. If you only read one BDSM give this one a go. I'm so happy with the news that Kim Dare has decided to write more stories around this world.





This is a truly beautiful retelling of the story of the ugly duckling mixed in with a love story. The sexual scenes are steamy and the relationship is fully developed and touching to read. Fabulous!! ( )

In a serious shift (no pun intended) from the earlier books on this list, both of these are m/m romances with some BDSM in them. I thought they sounded a little odd, but I generally trust the opinions of the person who recommended them on Goodreads, and she was right about these. Granted, you have to be interested in m/m romances, which I am—I say because I have gay characters in my novels, but I’m actually starting to like the well-written ones because they’re just as good as anything else out there, they’re just a very marginalized niche genre. What initially fascinated me about these two books is the way the avian society is organized. They live mostly in human form, but they know, usually, what species of bird they are going to be from when they are young to when they shift officially to avian form for the first time in front of the council. In the case of Ori, the submissive character in Duck!, he doesn’t know what he is; he was raised among humans, only learned he was a shifter about six months earlier, and has been dubbed an ugly duckling, occupying the lowest rung in the nest. Each species has a specific task, and since no one knows what he is, he’s given menial tasks where he is tormented by his co-workers (crows, I think it was in this case). They are caught red-handed when they have thrown dishes at Ori, who is trying to clean them up, when a high ranking Hawk happens to be passing by, Raynaud. In an interesting part of their culture, all species have their species sign tattooed on their wrists that they use as a form of introduction, and everyone immediately knows where the others stand. Ori doesn’t have a tattoo, because no one knows what he is. Raynaud takes him to work at his home, and their master/slave relationship commences. Where Reynaud is very sure of himself and his place, Ori is in constant motion, always cleaning things and fixing things, expecting to be passed along to another “owner” at any time. They end up falling in love, and when the time comes for Ori to shift in front of the council, he shifts into a very rare Swan, the highest ranking of all the avian species. Immediately, he is whisked to the palace and given a huge living space which makes him extremely uncomfortable—in fact, the whole thing makes him uncomfortable. He just wants things to go back to the way they were with Raynaud. Raynaud, in the meantime, is going through a period of guilt that he was treating Ori as a possession when he was a Swan, a King. Ori doesn’t care. Finally the council agrees to let Reynaud work with Ori, basically to make sure he keeps himself out of danger, and their relationship continues under that guise. Magpie starts a little later than Duck!—I’m not entirely sure how long, because Ori is much more sure of himself in this one, but he isn’t a main character, more of a very influential side character. The two main characters are Everet (who is briefly seen as a character helping Ori once he becomes King in Duck!), a Raven who is part of the security team for the nest, and Kane, a drug-addicted young Magpie who will do literally anything for his next fix, and has been for the bulk of his teenage years. They meet when Everet is called to bring Kane in for thievery, at the request of the owner’s club he was “working” in. Kane has been beaten horribly, and looks on the brink of death. Everet tells the Elders he will take responsibility for rehabilitating Kane, which they think is impossible and a waste of time. Magpies will always steal. Kane takes more steps backward than he does forward, and is a huge challenge for Everet, who is unwilling to give up on him—early on because he thinks Kane has potential, and as the novel progresses, because he starts to fall in love with him. Kane continues to frustrate until Everet finds a solution, at least temporarily, of him spending time working on the cleaning crews, because Kane loves to clean things to make them sparkle. He does so well that eventually Everet has a huge surprise for him—he takes him down to a vault, where Ori is waiting, and in the vault is all the silver from the nest, silverware, teapots, everything. If Kane does well at his job, then he can come and polish silver with Ori, who has a hard time not being able to clean anything in his position as King of the Nest. Kane and Ori start to become friends, and Kane realizes he doesn’t have to steal, all of his treasure is right here. His family turns up and tries to ruin things for him, things don’t look so good for awhile, then he is saved by Renaud, Ori, and Everet. I like that the characters work hard (even when they don’t want to, which is probably why they end up having problems again) but even when they screw up, they have managed to make enough friends to help them. One of the other aspects of these books I really liked is that while there is some BDSM, there’s not much, and they feel like love stories—real love stories, not fake contrivances like some other books out there I could name that don’t involve avian shifters, which makes this one cool as well. In Duck! there is also the question of what happens when the dominant partner is suddenly inferior status-wise, and how that is resolved. There is a lot of very badly written material out there covering these themes, and it’s nice to know that Dare spent the time to make these both very loving stories. Yes, they do get explicit, but that’s part of their purpose. They aren’t raunchy. And I liked the covers as well, very tastefully done, and much sexier than the usual in your face, here I am covers. Highly recommended for those into m/m relationship stories.
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In a serious shift (no pun intended) from the earlier books on this list, both of these are m/m romances with some BDSM in them. I thought they sounded a little odd, but I generally trust the opinions of the person who recommended them on Goodreads, and she was right about these. Granted, you have to be interested in m/m romances, which I am—I say because I have gay characters in my novels, but I’m actually starting to like the well-written ones because they’re just as good as anything else out there, they’re just a very marginalized niche genre. What initially fascinated me about these two books is the way the avian society is organized. They live mostly in human form, but they know, usually, what species of bird they are going to be from when they are young to when they shift officially to avian form for the first time in front of the council. In the case of Ori, the submissive character in Duck!, he doesn’t know what he is; he was raised among humans, only learned he was a shifter about six months earlier, and has been dubbed an ugly duckling, occupying the lowest rung in the nest. Each species has a specific task, and since no one knows what he is, he’s given menial tasks where he is tormented by his co-workers (crows, I think it was in this case). They are caught red-handed when they have thrown dishes at Ori, who is trying to clean them up, when a high ranking Hawk happens to be passing by, Raynaud. In an interesting part of their culture, all species have their species sign tattooed on their wrists that they use as a form of introduction, and everyone immediately knows where the others stand. Ori doesn’t have a tattoo, because no one knows what he is. Raynaud takes him to work at his home, and their master/slave relationship commences. Where Reynaud is very sure of himself and his place, Ori is in constant motion, always cleaning things and fixing things, expecting to be passed along to another “owner” at any time. They end up falling in love, and when the time comes for Ori to shift in front of the council, he shifts into a very rare Swan, the highest ranking of all the avian species. Immediately, he is whisked to the palace and given a huge living space which makes him extremely uncomfortable—in fact, the whole thing makes him uncomfortable. He just wants things to go back to the way they were with Raynaud. Raynaud, in the meantime, is going through a period of guilt that he was treating Ori as a possession when he was a Swan, a King. Ori doesn’t care. Finally the council agrees to let Reynaud work with Ori, basically to make sure he keeps himself out of danger, and their relationship continues under that guise. Magpie starts a little later than Duck!—I’m not entirely sure how long, because Ori is much more sure of himself in this one, but he isn’t a main character, more of a very influential side character. The two main characters are Everet (who is briefly seen as a character helping Ori once he becomes King in Duck!), a Raven who is part of the security team for the nest, and Kane, a drug-addicted young Magpie who will do literally anything for his next fix, and has been for the bulk of his teenage years. They meet when Everet is called to bring Kane in for thievery, at the request of the owner’s club he was “working” in. Kane has been beaten horribly, and looks on the brink of death. Everet tells the Elders he will take responsibility for rehabilitating Kane, which they think is impossible and a waste of time. Magpies will always steal. Kane takes more steps backward than he does forward, and is a huge challenge for Everet, who is unwilling to give up on him—early on because he thinks Kane has potential, and as the novel progresses, because he starts to fall in love with him. Kane continues to frustrate until Everet finds a solution, at least temporarily, of him spending time working on the cleaning crews, because Kane loves to clean things to make them sparkle. He does so well that eventually Everet has a huge surprise for him—he takes him down to a vault, where Ori is waiting, and in the vault is all the silver from the nest, silverware, teapots, everything. If Kane does well at his job, then he can come and polish silver with Ori, who has a hard time not being able to clean anything in his position as King of the Nest. Kane and Ori start to become friends, and Kane realizes he doesn’t have to steal, all of his treasure is right here. His family turns up and tries to ruin things for him, things don’t look so good for awhile, then he is saved by Renaud, Ori, and Everet. I like that the characters work hard (even when they don’t want to, which is probably why they end up having problems again) but even when they screw up, they have managed to make enough friends to help them. One of the other aspects of these books I really liked is that while there is some BDSM, there’s not much, and they feel like love stories—real love stories, not fake contrivances like some other books out there I could name that don’t involve avian shifters, which makes this one cool as well. In Duck! there is also the question of what happens when the dominant partner is suddenly inferior status-wise, and how that is resolved. There is a lot of very badly written material out there covering these themes, and it’s nice to know that Dare spent the time to make these both very loving stories. Yes, they do get explicit, but that’s part of their purpose. They aren’t raunchy. And I liked the covers as well, very tastefully done, and much sexier than the usual in your face, here I am covers. Highly recommended for those into m/m relationship stories.
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