Critiques en avant-première

To the literary elite, Michael Greenberg has always been known for his trenchant and moving columns that appear biweekly in the Times Literary Supplement. But when critics hailed his memoir Hurry Down Sunshine as a classic, Greenberg became a household name. Beg, Borrow, Steal is an autobiography in installments, set in NewYork, where the author depicts the life of a writer of little means trying to practice his craft, or simply stay alive. He finds himself writing about golf, a game that he never played; doctoring doomed movie scripts; driving trucks and taxis; selling cosmetics from an ironing board in front of a women’s department store; and botching his debut as a waiter in a coveted five-star restaurant. Central characters include the City of All Cities; Michael’s father, whose scrap metal business looms large; his elegant mother; his first wife, Robin, whom he met in a Greenwich Village high school; their son, Aaron, who grew up on the Lower East Side; a repentant communist who fought in the Spanish Civil War; a Chilean filmmaker in search of his past; rats who behave like humans; beggars who are poets; a man who becomes a woman; and a woman who prefers to live underground. Greenberg creates a world where the familial, the incongruous, the literary, the humorous, the tragic, and the prosaic not only speak to each other, but deeply enjoy the exchange. Praising Greenberg and his column in the New York Times, Rachel Donadio wrote: “Imagine The Talk of the Town as if written by Dostoyevsky.” This is an entirely original book, whose writing is magical and whose insights are deceptively profound.