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James McNeill Whistler (1834–1903)

Auteur de The Gentle Art of Making Enemies

78+ oeuvres 503 utilisateurs 7 critiques

A propos de l'auteur

Crédit image: "Arrangement in gray"
Self-portrait, 1872, Institute of Fine Arts, Detroit, Mich
(Yorck Project)

Œuvres de James McNeill Whistler

The Gentle Art of Making Enemies (1890) 210 exemplaires
Songs on stone : James McNeill Whistler and the art of lithography (1998) — Illustrateur; Illustrateur — 22 exemplaires
James McNeill Whistler (1987) 20 exemplaires
An Artist Abroad: The Prints of James Mcneill Whistler (2005) — Illustrateur — 13 exemplaires
WHISTLER ON ART PB (1994) 12 exemplaires
The Stamp of Whistler (1977) 9 exemplaires
Whistler Paintings: 24 Cards (2003) 7 exemplaires
Mr. Whistler's "Ten O'Clock" (2011) 5 exemplaires
James McNeill Whistler Prints (2016) 3 exemplaires
James McNeill Whistler 3 exemplaires
Whistler 2 exemplaires
Alle dieci di sera (2014) 2 exemplaires
[Tatting] 2 exemplaires
[No title] 1 exemplaire
James Whistler 1 exemplaire
Ten o'clock 1 exemplaire
Whistler's Mother 1 exemplaire
Early Works 1 exemplaire
Milly Finch 1 exemplaire
The Cobbler 1 exemplaire
The Peacock Room 1 exemplaire
Correspondance Mallarmé-Whistler — Auteur — 1 exemplaire
The Safe-Way 1 exemplaire

Oeuvres associées

New Grub Street (1891) — Artiste de la couverture, quelques éditions1,467 exemplaires
Le malheur indifférent (1972) — Artiste de la couverture, quelques éditions763 exemplaires
L'Âge difficile (1899) — Artiste de la couverture, quelques éditions730 exemplaires
The World of Whistler, 1834-1903 (1970) 226 exemplaires
A Documentary History of Art, Volume 3 (1966) — Contributeur — 153 exemplaires
Proust's Duchess: How Three Celebrated Women Captured the Imagination of Fin-de-Siècle Paris (2018) — Illustrateur, quelques éditions121 exemplaires
The World of Law, Volume II : The Law as Literature (1960) — Contributeur — 21 exemplaires
Pre-Raphaelites: Beauty and Rebellion (2016) — Illustrateur — 16 exemplaires
The Religion of Beauty: Selections from the Aesthetes (1950) — Contributeur — 11 exemplaires
Thames: An Anthology of River Poems (1999) — Illustrateur — 5 exemplaires

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An instructive delight, which includes the artist-author's incisive testimony in his libel trial against Ruskin's condescending class-critique of Whistler as "cockney." Why, this trial ranks with the French assault on Flaubert for Madame Bovary (who won) and Baudelaire for Les Fleurs du Mal (who lost). Baronet Ruskin challenged the class of the artist, who in fact hailed from a new arguably higher class, that of international business and engineering. Whistler's father (who had died of cholera when he famously painted painted his mother) was an engineer moving from Lowell where the artist was born to Springfield, MA, to engineer the Boston to Albany railroad. From his success there, he was hired by the Czar to make the Moscow to St Petersburg line. Whistler famously considered St Petersburg his birthplace, with "I do not choose to be born in Lowell."
His education: Russia, West Point (to avoid his mother's preferred schooling toward English divinity), and France. Not bad for a Lowell and Springfield boy (like myself). He famously "flunked out" of West Point, then headed by Col. Robert E. Lee, and where his father had taught map making I think. After leaving he was employed making maps of the US coast.
I taught this at the Swain School of Design in the 90's, in New Bedford, in Herman Melville's sister's house, which was Swain's library. This delightful and instructive book, ranks among the best four or five ever written by an artist (Hello Vasari), but I am away from my shelf at the moment, must later add witty quotations.
From my shelf I now quote JMW, "Listen! There never was an artistic Period. There never was an Art-loving nation" (139). "This dreamer apart--was the first artist"(ibid.), whereas his antagonist Wilde says "an artist is not an isolated fact" (161). JMW talks of how ancient craftsmen making cups to drink from were artists, and people drank from them not because they were beautiful, but becasue there were none other. Then artists were replaced by manufactures, as with clothing, "Haphazard from their shoulders hang the garments of the hawker--combining in their person the motley of many manners with the medley of the mummers's closet"(154).
"False again, the fabled link between the grandeur of Art and the glories and virtue of the State, for Art feeds not upon nations, and peoples may be wiped from the face of the earth, but Art IS"(155).
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AlanWPowers | 1 autre critique | Dec 15, 2017 |

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Statistiques

Œuvres
78
Aussi par
11
Membres
503
Popularité
#49,235
Évaluation
3.8
Critiques
7
ISBN
40
Langues
4

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