Bella Spewack (1899–1990)
Auteur de Mon épouse favorite (My Favorite Wife)
A propos de l'auteur
Crédit image: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)
Œuvres de Bella Spewack
My Favorite Wife (1940) 2 exemplaires
Leave It To Me 2 exemplaires
Kiss me, Kate 1 exemplaire
Spring Song 1 exemplaire
Clear all wires! 1 exemplaire
Boy meets girl and Spring song, two plays 1 exemplaire
Oeuvres associées
Étiqueté
Partage des connaissances
- Date de naissance
- 1899-03-25
- Date de décès
- 1990-04-27
- Sexe
- female
- Nationalité
- Romania
USA - Lieu de naissance
- Transylvania, Romania
- Lieux de résidence
- Bucharest, Romania
New York, New York, USA
New Hope, Pennsylvania, USA - Professions
- screenwriter
playwright
journalist
memoirist - Relations
- Spewack, Samuel (husband)
Porter, Cole (collaborator) - Courte biographie
- Bella Spewack, née Cohen, was born in Transylvania, now Romania, then a part of the Austro-Hungarian Empire, into a family of Hungarian Jews. Her parents divorced when she was a baby and she emigrated to the USA with her mother, settling in the tenements of the Lower East Side of Manhattan. Her mother remarried to a man who abandoned the family a few years later while she was pregnant with Bella's stepbrother. Bella graduated from Washington Irving High School and began working as a reporter for a string of newspapers and as a press agent. In 1922, she married Sam Spewack, a foreign correspondent for The New York World. The couple spent four years reporting from in Moscow and Europe. After returning to the USA, they started writing plays and screenplays together and separately, mostly comedies. In 1940, they received an Academy Award nomination for Best Original Story for My Favorite Wife. They also wrote some of the most memorable lyrics in musical theater history. Kiss Me Kate (1948), a modern update on Shakespeare's Taming of the Shrew, was one of their collaborations with Cole Porter and won them two Tony Awards; it was adapted into a popular film. The play My Three Angels (1953) was adapted as the film We're No Angels. Bella chronicled her early life in Streets: A Memoir of the Lower East Side, which was published posthumously in 1995.
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Statistiques
- Œuvres
- 15
- Aussi par
- 7
- Membres
- 243
- Popularité
- #93,557
- Évaluation
- 3.9
- Critiques
- 4
- ISBN
- 14
No studio made this type of marital comedy better than RKO. The editing of Robert Wise, the photography of Rudolph Mate, and gowns by Howard Green helped turn the script by Bella and Samuel Spewack into a fun time at the movies. Everything is all class in this one, right down to the embroidered linen opening credits.
Irene Dunne is fabulous as the supposedly dead wife of Cary Grant. Shipwrecked while on an anthropological expedition seven years earlier, the family dog greets her with joy upon her return. But her two children believe her to be dead and she cannot bring herself to tell them the truth. Dunne is all hamburgers and root beer here, holding back a tear for all the moments she missed with her children.
Grant, however, has moved on, having just remarried. When he gets a take on his first wife while he and new bride, Bianca (Gail Patrick), are on their honeymoon, his stunned reaction sets the tone for all the fun to follow. Nick (Grant) is confused as to what to do, to say the very least. He still loves Ellen (Dunne) but is a bit afraid of the snotty Bianca. His guilt when Ellen teases him that she can’t turn her back on him for a second turns to suspicion when he discovers that the freighter rescued not one, but two people from that deserted island!
There are some fun moments as Ellen tries to pass off a short, balding shoe clerk as her island companion to Nick, who’s already got a glimpse of the tall and athletic Steven (Randolph Scott) at the Pacific Club. When Ellen proclaims she can live without either of them, it turns out she’s all wet. Nick’s jealousy reveals itself in some hilarious one-liners aimed at Steven.
Donald MacBride has some funny moments as the hotel clerk watching Grant swap rooms like musical chairs, and Granville Bates is great as the judge trying to sort out this whole mess so that true love prevails. A warm ending in the mountains with the children caps this one off very nicely.
This truly underrated blend of sentiment and comedy starring Irene Dunne and Cary Grant has stood too long in the shadows and it is time for it to take center stage for the warm and funny comedy it is. A real winner.… (plus d'informations)