Jacqueline Rayner
Auteur de The Stone Rose
A propos de l'auteur
Crédit image: Jacqueline Rayner
Séries
Œuvres de Jacqueline Rayner
Doctor Who: The Stone Rose [abridged] — Auteur — 7 exemplaires
Doctor Who: The Stone Rose: The History Collection 6 exemplaires
Can I tell you about ME/chronic fatigue syndrome? : a guide for friends, family and professionals (2014) 6 exemplaires
Doctor Who The Sixth Doctor Adventures: The Sixth Doctor and Peri - Volume 1 (2020) — Auteur — 4 exemplaires
Many Happy Returns 3 exemplaires
The Diary of River Song: Requiem for the Doctor 2 exemplaires
Buried Treasures (Bernice Summerfield #6) 1 exemplaire
Blakes 7 Origins (Mission to Destiny / Duel) 1 exemplaire
Kidnapped! (Doctor Who : Donna Noble) 1 exemplaire
The stone Rose: part two 1 exemplaire
The stone Rose: part one 1 exemplaire
Doctor Who: The Slitheen Games 1 exemplaire
Marian Conspiracy 1 exemplaire
He Loves Me Not 1 exemplaire
Screameager 1 exemplaire
Doctor Who: Tenth Doctor Novels 1 exemplaire
Doctor Who : The death players 1 exemplaire
I, Rorius 1 exemplaire
Suspicious Minds 1 exemplaire
Buried Treasures — Auteur — 1 exemplaire
Oeuvres associées
Doctor Who: The Collection [2009] 3 exemplaires
Étiqueté
Partage des connaissances
- Date de naissance
- unknown
- Sexe
- female
- Nationalité
- UK
- Professions
- script editor
producer
Membres
Critiques
Listes
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Statistiques
- Œuvres
- 91
- Aussi par
- 14
- Membres
- 4,241
- Popularité
- #5,930
- Évaluation
- 3.6
- Critiques
- 144
- ISBN
- 142
- Langues
- 1
While The Mistress of Chaos gave us eighteen months' worth of comics, which came out to eighteen strips, The White Dragon is over two years of comics... yet only fifteen strips. The factors involved are no one's fault, of course, but it's disappointing that Jodie Whittaker was the incumbent Doctor for four years yet received the smallest run of strips since Eccleston; it's also disappointing that these volumes have been getting progressively slimmer since The Crimson Hand and that this one couldn't extend to collecting all of Jodie's run.
I have read all of this before, but distribution of DWM in America was particularly erratic during this era, and I read many of these stories stretched out over months or even out of sequence; I think I got one of the later issues of Hydra's Gate before the first. In particular, I was pleased to get to read The White Dragon in one go.
The Piggybackers
The Doctor and the fam land in America during the Cuban Missile Crisis; aliens are of course afoot. You can always count on Scott Gray for a decently put together story with interesting visuals and nice moments, and marry him to Martin Geraghty, and of course it's a recipe for success. I enjoyed this story, particularly the titular piggybackers and how they looked. Geraghty does some great work throughout (right from the first page, with the "Duck and Cover" riff), but I did feel like it didn't totally come together; there's an attempt to subvert expectations that kind of left it fizzling out at the end when it ought to have been exploding. The climax is over very quickly. I do like how careful Gray is to give everyone something to do; not to spend all my time ragging on the show, but it was rarely so deliberate during this era.
The White Dragon
Scott Gray bows out of DWM with the third story that he both wrote and illustrated; I enjoyed both of his previous goes, but this is the best of them, and it's a good way to bow out. No big torturous epic involving the history of Gallifrey; just a sharply done celebrity historical in an interesting location with a cool guest star and a bunch of nice moments for Ryan. (Ryan spent a lot of The Piggybackers mute, so it's good to see him get a meaty part here to balance things out.) This to me is pure DWM, one of those stories I find it hard to comment on because it doesn't do anything flashy but it does everything right. A story of kung fu is perfect for Gray's cartoony dynamism, and this story has a lot of great visuals and good beats. If the tv show ever did a Bruce Lee episode, we would be lucky if it was half this good.
The Forest Bride / It's Behind You!
I get that the strip is working under constraints here. As Rayner spells out in the extras, there had to be fewer pages, fewer panels per page, and even fewer words per panel! (The last one surprised me; does that let them pay Roger Langridge less?) But whatever the reason, I found these weird, unenjoyable stories. The writing clearly struggles with the space alloted; in The Forest Bride, the Doctor knows all about someone's daughter, but going over and back over the strip, I can't figure out where she actually learned this. The conclusion is too cursory and quick to work. Similarly, I didn't really get what It's Behind You! was going for; there's just a bunch of scrambling about and then the story's over. Even though it's a premise clearly tailor-made for jokes about pantomime, there are almost no jokes about pantomime, just fairly pointless action. And if you've heard Oh No It Isn't!, you'll know this isn't because Jac Rayner doesn't know how to makes jokes about panto.
I don't think Russ Leach's art is quite supporting what Rayner's writing is doing. In the notes, Rayner talks about the creepy vibe she wanted for The Forest Bride, but I didn't think the art gave it that, especially the coloring, which is all too bright and cheerful. (On part two, the coloring is credited to Pippa Bowland, but there is no credited colorist for part one.)
Hydra's Gate
Unfortunately, giving Rayner and Leach a bigger canvas doesn't result in better work. This four-part story is a bit of a jumpy struggle; I think they're trying to make it all work with economic storytelling, but too often it's just confusing. "Yaz has found the Legionary!" Hang on, was she looking for one? Since when? It's not just the writing, but also the art; I had to reread a sequence on the last page of part one several times to figure who was speaking and where a kid had come from, and in part four there's a bit where a robot loses its head but the Doctor catches it in a net I kept going back over to puzzle out. Again, things seemed terribly underexplained, and the climax rushed, introducing a new jeopardy only to resolve it instantly more than once. Reading Rayner's notes in the back, I think there's a good story here, but it probably needed eight pages per installment and a lot more panels per page to tell it.
Stray Observations: