Zoë Heller

An unsentimental and compelling family drama about a political lawyer, possibly modeled after William Kunstler, who has a stroke and how his family reacts in various ways, particularly intensely by his distressed and furious wife, Audrey. I have friends who will say "but I didn't like the characters" to which the author replies in an interview in the October 1, 2008 issue of Time Out:
I read a review the other day that said, "Joel is the one charming character in the book, and we're left with this pain in the neck." And in one sense that exactly expresses what she's had to deal with all her life, being the less desirable companion to this charming, charismatic, fabulous man, who is also this gigantic egotist. It's quite hard work living with that kind of star. [...:] It's amazing how often, both giving readings in book shops or reading reviews on Amazon, or even reading supposedly sophisticated criticism, that charge arises: "You've written somebody that I don't like." And you want to say, well, how do you feel about Iago? I take umbrage at all that. [...:] I very strongly feel that the job of fiction is not to write admirable figures, but to imagine one's way into all sorts of people, often people who ostensibly at least are deeply unlikeable or unpleasant. The question is not whether you like them but whether you understand them.
—[11:]… (plus d'informations)

The slow decline into obsession is like a slow growing cancer. The sickness of the heart soon controls the soul. Barbara Covett's long teaching career at St. Georges School affords her a critical opinion of her colleagues, old and new. With barely any friends, scarce family ties, and no love life to speak of, Barbara is an aging spinster alone with an ailing cat. Such bitter loneliness entitles Barbara to scoff at any relationship until she meets Sheba Hart. Sheba brings out a strange possessiveness in Barbara. As a pottery teacher Sheba is new to St. Georges and it's politics. Barbara takes Sheba under her wing and desires to be her only friend. Except Sheba is capable of making a variety of relationships which fuel Barbara's jealousies. Barbara reminded me of the manipulative Iago in the way that she slyly pushed Sue, another St. Georges colleague, out of the friendship with Sheba. Three is definitely a crowd.
As mentioned before, Sheba is capable of making connections quickly. When she starts a physical relationship with a sixteen year old student in her pottery class, Barbara seizes the opportunity to be Sheba's only nonjudgmental confident, further pulling Sheba into a sick dependency. However, Barbara's immature need to be on the high horse of morality gets the better of her and she risks Sheba's friendship by keeping a journal. The more obsessed Sheba gets with the schoolboy, the more reckless she becomes. How long before the house of cards come crashing down?… (plus d'informations)