Oskar Bätschmann
Auteur de Hans Holbein
A propos de l'auteur
Œuvres de Oskar Bätschmann
The Artist in the Modern World: The Conflict Between Market and Self-Expression (1997) 14 exemplaires
DuMont Taschenbuecher 227 - Entfernung der Natur - Landschaftsmalerei 1750-1920 (1989) 5 exemplaires
Ilya Kabakov Installations, 1983-2000 CATALOGUE RAISONNE -- 2 Volume Set, Boxed (2003) 3 exemplaires
Jackson Pollock 2 exemplaires
Nicolas Poussin. Landschaft mit Pyramus und Thisbe: Das Liebesunglück und die Grenzen der Malerei (1987) 1 exemplaire
Kunst & Karriere : ein Kaleidoskop des Kunstbetriebs 1 exemplaire
Dialektik der Malerei von Nicolas Poussin 1 exemplaire
Du 529: Schweizer Künstlerplakate, Auguste Rodin 1 exemplaire
Ferdinand Hodler. Catalogue raisonné der Gemälde: Band 4: Biografie und Dokumente (2019) 1 exemplaire
Ferdinand Hodler : Die Forschung, Die Anfange, Die Arbeit, Der Erfolg, Der Kontext (2009) 1 exemplaire
Marino Marini 1 exemplaire
Ferdinand Hodler: Landscapes 1 exemplaire
Étiqueté
Partage des connaissances
- Nom canonique
- Bätschmann, Oskar
- Date de naissance
- 1943-09-15
- Sexe
- male
- Nationalité
- Switzerland
- Lieu de naissance
- Lucerne, Switzerland
- Lieux de résidence
- Florence, Italy
Zurich, Switzerland
Rome, Italy
Paris, France
London, England - Études
- University of Zurich (Ph.D|1975)
- Professions
- art historian
- Organisations
- University of Bern
- Prix et distinctions
- Academia Europaea (2010)
Honorary Member, Swiss Academy of Humanities and Social Sciences (2017)
Membres
Critiques
The Artist in the Modern World : the conflict… par Oskar Bätschmann
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .
This study offers answers to questions like, What effect have the (art) exhibition and the public had on the promotion of art? How is the definition of art changing? and above all, What strategies are modern artists developing in the field of tension between artistic freedom on the one side and the mechanisms of the market on the other? Addressing the constantly evolving situations and status of artistic legitimation, the author'sinsightful reflections trace this history of this dynamic, ongoing development.
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .… (plus d'informations)
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .… (plus d'informations)
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Statistiques
- Œuvres
- 27
- Membres
- 224
- Popularité
- #100,172
- Évaluation
- 3.8
- Critiques
- 2
- ISBN
- 46
- Langues
- 4