Photo de l'auteur

María Luisa Bombal (1910–1980)

Auteur de House of mist ; and, The shrouded woman : two novels

22+ oeuvres 500 utilisateurs 11 critiques 1 Favoris

A propos de l'auteur

Séries

Œuvres de María Luisa Bombal

House of Mist (1935) — Auteur — 112 exemplaires
New Islands and Other Stories (1939) 101 exemplaires
The Shrouded Woman (1938) 79 exemplaires
Obras Completas (1996) 30 exemplaires
La Ultima Niebla El Arbol (1901) 13 exemplaires
La historia de María Griselda (1946) 5 exemplaires
La Amortajada Y El Arbol (1995) 3 exemplaires
El árbol (2014) 2 exemplaires

Oeuvres associées

The Eye of the Heart: Short Stories from Latin America (1973) — Contributeur — 156 exemplaires
Short Stories by Latin American Women: The Magic and the Real (1990) — Contributeur — 146 exemplaires
Magical Realist Fiction: An Anthology (1984) — Contributeur — 113 exemplaires
The Oxford Book of Latin American Short Stories (1997) — Contributeur — 106 exemplaires
Elsewhere, Vol. III (1984) — Contributeur — 91 exemplaires
Women and Fiction: Volume 2 (1978) — Contributeur — 73 exemplaires
Pleasure in the Word : Erotic Writing by Latin American Women (1993) — Contributeur — 34 exemplaires
Landscapes of a New Land : Short Fiction by Latin American Women (1995) — Contributeur — 18 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Bombal, María Luisa
Date de naissance
1910-06-08
Date de décès
1980-05-06
Sexe
female
Nationalité
Chile
Lieu de naissance
Viña del Mar, Chile
Lieux de résidence
London, England, UK
Paris, France
Buenos Aires, Argentina
USA
Études
University of Paris
Sorbonne
Lycée La Bruyère
Professions
novelist
short story writer
Courte biographie
María Luisa Bombal was born to a Chilean family who moved to Paris in 1922. She attended the Lycée La Bruyère and studied literature and philosophy at the Sorbonne. After a brief return to Chile in 1931–1933, she fled depression and an unhappy marriage for Buenos Aires, Argentina, where she joined a literary circle that including Jorge Luis Borges and Pablo Neruda. She emigrated to the USA in 1940 and lived there for three decades before returning again to Chile.

Her first novel, La última niebla (The House of Mist), was published in 1935. Bombal wrote several other novels as well as short stories, often featuring heroines who create fantasy worlds to escape from unfulfilling love relationships and restricted social roles. Her work influenced many later writers of magical realism. Feminist critics and writers have given her works wider attention in recent years.

Membres

Discussions

TonyH reads in 2012 à Club Read 2012 (Janvier 2013)

Critiques

Cuando leí Pedro Páramo, pensé que sería muy difícil para mí encontrar a alguien que alcanzara ese nivel de perfección poética en una novela en español. Hoy, mientras termino La amortajada, me doy cuenta de que ese alguien es María Luisa Bombal.
Este libro es, sin lugar a dudas, uno de los mejores que he leído.
 
Signalé
LeoOrozco | 3 autres critiques | Feb 26, 2019 |
La amortajada es una obra que exhibe un universo onírico y mágico, en el que la realidad y el ensueño se confunden. La voz narrativa de una fallecida, permite visionar la vida femenina atormentada por el amor
 
Signalé
Ladynne | 3 autres critiques | Nov 14, 2018 |
LOS MEJORES LIBROS CHILENOS
 
Signalé
beatriza | Dec 10, 2016 |
An early example of what would be called "magical realism", The House of Mist is set in the early part of the 20th century in Argentina and takes, I think, from both the Gothic and fairy tale tradition. Our awkwardly-named heroine, Helga, begins her story when she is a child, orphaned and being brought up by her aunt and uncle; and, of course, she has a beautiful cousin to be measured against. She knows little of her parents, a mystery that will be revealed over the course of the novel. Helga is a reader and her head is filled with fairy and folk tales when she meets the young Daniel next door, she is looking for a frog prince. She will eventually marry the mercurial Daniel and go to live in his big, isolated, deteriorating (creepy) hacienda in the woods. But Daniel is NO prince and she is not his first wife. And that is not the end of the story.

While the premise has the sound of a fairy tale to it, and its narrative often has a feel of fairy tale, the story is more complex, full of secrets and mystery (and death), and woven into it are visions and illusions that may or may not be reality.

When I began the book, I thought it might be too light for my tastes, but I soon found myself thoroughly captivated by the story. I think, Bombal uses magical realism as tool to change Helga; for as she sorts out illusion and reality, she really comes into her own (perhaps stopping short of being a feminist novel).
… (plus d'informations)
 
Signalé
avaland | 1 autre critique | Jan 10, 2012 |

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Statistiques

Œuvres
22
Aussi par
9
Membres
500
Popularité
#49,493
Évaluation
4.2
Critiques
11
ISBN
50
Langues
6
Favoris
1

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