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The Birth of Classical Europe: A History from Troy to Augustine (2010)

par Simon Price, Peter Thonemann

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To an extraordinary extent we continue to live in the shadow of the classical world. At every level from languages to calendars to political systems, we are the descendants of a 'classical Europe', using frames of reference created by ancient Mediterranean cultures. As this consistently fresh and surprising new book makes clear, however, this was no less true for the inhabitants of those classical civilizations themselves, whose myths, history, and buildings were an elaborate engagement with an already old and revered past filled with great leaders and writers, emigrations and battles. Indeed, much of the reason we know so much about the classical past is the obsessive importance it held for so many generations of Greeks and Romans, who interpreted and reinterpreted their changing casts of heroes and villains. Figures such as Alexander the Great and Augustus Caesar loom large in our imaginations today, but they were themselves fascinated by what had preceded them. The Birth of Classical Europe is therefore both an authoritative history, and also a fascinating attempt to show how our own changing values and interests have shaped our feelings about an era which is by some measures very remote but by others startlingly close.… (plus d'informations)
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» Voir aussi les 13 mentions

Affichage de 1-5 de 8 (suivant | tout afficher)
Interesting. ( )
  ElentarriLT | Mar 24, 2020 |
Muy bueno interesante el tema de los mito que siguen presentes en la formación de la idea comun de europa ( )
  gneoflavio | Jun 24, 2017 |
The Birth of Classical Europe: A History from Troy to Augustine is a fantastic overview of Mediterranean and broader European history. One advantage of reading modern books on history is you have the latest thoughts coming from recent archaeology, technological development, discoveries about languages and migrations, etc.

I have read Freeman's Egypt, Greece, and Rome (my review) so this book was a good refresher for events but did a better job helping me understand the overall historical contexts of the Mediterranean and Asia Minor (Anatolia) during the time period covered. Whereas Freeman tended to categorize his chapters by looking at art, war, technology, and religion separately, Price and Thonemann weave them together as a whole. You can't understand what we know about, say, the Punic Wars without looking at who recorded the stories and the context they were writing in. Price and Thonemann also look more at what modern archaeology tells us about the lives and development. There are also several inset boxes that explain the significance of an event or writing in modern history-- whether it be what influenced Machiavelli or Dante's writings, Shakespeare, the U.S.'s Founding Fathers, or Nazi Germany's inspirations.


We start in the areas of Mycenae, whose inhabitants also settled in Crete, blending with a native culture that was growing and continue with the development of Classical Greece, then through the later Greek periods. Not too much time is spent on Philip and Alexander's Macedonian conquests. We then look at the rise of Rome while also looking at the civilizations that existed in mainland Europe (Gaul) and Britain, Carthage (North Africa), Persia, and Syria. The book concludes by looking at Christianity in the early Roman empire, and the increasing divide between East and West (Greek-speakers vs. Latin speakers). It concludes with a look at St. Augustine, which having just read Confessions I found helpful to put him in a greater context. Augustine is truly a post-Roman, a Latin speaker living in a Roman colony, highly educated in the classics and trying to reconcile those classics and Roman history with biblical history. If you want a general history of Europe and the Mediterranean with plenty of peeks at details without going too deep, then this is your book.

I greatly enjoyed it and give it 5 stars. ( )
2 voter justindtapp | Jun 3, 2015 |
After reading two of the Penguin History of Europe volumes, which were bad and quite bad, why did I pick up this one? Honestly, because they're well designed and I love series. Luckily, this was much better than the other two. It's not in depth at all, but that's fine; that's the type of thing I want from books like this. It's well written, which is hardly a given these days even for supposedly accessible history writing. And it has a cogent argument: those who look to ancient Greece or Rome for some sort of fixed starting point of history or Europeanness or tradition or whatever are engaged on a fool's errand. Price and Thonemann show that the pre-classical civilizations, and the Greeks and Romans, were always looking backwards to justify their actions or existence. People still do it today: x is good/valuable/right because it's what our forefathers did. Well, that's nonsense. As if that wasn't good enough, P & T also manage to split the difference between "There are no facts, only interpretations" and "Only facts matter, interpretations are meaningless" by making sure they explain the facts as well as how those facts were interpreted at the time and since. Their section on pre-classical civilizations was particularly interesting, as were the smattering of pages about the Celts and other north of the alps types. My only caveat is that this might be a tough read if you don't know something about the period already; lots of names whiz by. ( )
  stillatim | Dec 29, 2013 |
The two authors of this historical overview give you a hop-scotch approach to this period. Best for readers who already have the big picture on these classical times/personalities, but a rewarding read for those who are up to speed. Especially enlightening re: its take on the central role of Troy in the narratives of the societies that would, eventually, lay the foundations of Western culture. ( )
1 voter ChristianSchoon | Apr 4, 2013 |
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To an extraordinary extent we continue to live in the shadow of the classical world. At every level from languages to calendars to political systems, we are the descendants of a 'classical Europe', using frames of reference created by ancient Mediterranean cultures. As this consistently fresh and surprising new book makes clear, however, this was no less true for the inhabitants of those classical civilizations themselves, whose myths, history, and buildings were an elaborate engagement with an already old and revered past filled with great leaders and writers, emigrations and battles. Indeed, much of the reason we know so much about the classical past is the obsessive importance it held for so many generations of Greeks and Romans, who interpreted and reinterpreted their changing casts of heroes and villains. Figures such as Alexander the Great and Augustus Caesar loom large in our imaginations today, but they were themselves fascinated by what had preceded them. The Birth of Classical Europe is therefore both an authoritative history, and also a fascinating attempt to show how our own changing values and interests have shaped our feelings about an era which is by some measures very remote but by others startlingly close.

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