AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Drafts for a Third Sketchbook

par Max Frisch

MembresCritiquesPopularitéÉvaluation moyenneDiscussions
36Aucun680,560 (3.92)Aucun
"New York . . . I HATE IT. . . I LOVE IT. . . I DON'T KNOW. . ." These are the reflections of Max Frisch (1911-91) writing from his apartment in the Big Apple near the end of the twentieth century. Beginning in 1946 and continuing until his death at the age of eighty, the man whom many see as Switzerland's greatest writer kept a series of sketchbooks to record his reactions to events of the time and people he encountered in his daily life. Neither a commonplace book nor a diary, these volumes contain the seeds for many of Frisch's most famous works--including Homo Faber, I'm Not Stiller, and Man in the Holocene--as well as his cynical meditations, fictions, incidents, conversations, meetings, newspaper headlines and dark fantasies--anything, in short, that the author found significant. Drafts for a Third Sketchbook treats the reader to an even more personal document. Unpublished at the time of Frisch's death, this collection was edited by Peter von Matt, president of the Max Frisch Foundation, with an eye toward expanding our knowledge of this legendary writer's last days. Ranging from a couple of sentences to several pages, the sketches collected in this volume recall the United States of the Reagan years and the author's own growing sense of age as both the threat of nuclear war and some of his most treasured friendships pass on. Representing an unusually personal vista onto the world as Frisch knew it, this is a wonderful self-portrait of an extraordinary intelligence.… (plus d'informations)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

Aucune critique
aucune critique | ajouter une critique

Appartient à la série

Appartient à la série éditoriale

Distinctions

Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

"New York . . . I HATE IT. . . I LOVE IT. . . I DON'T KNOW. . ." These are the reflections of Max Frisch (1911-91) writing from his apartment in the Big Apple near the end of the twentieth century. Beginning in 1946 and continuing until his death at the age of eighty, the man whom many see as Switzerland's greatest writer kept a series of sketchbooks to record his reactions to events of the time and people he encountered in his daily life. Neither a commonplace book nor a diary, these volumes contain the seeds for many of Frisch's most famous works--including Homo Faber, I'm Not Stiller, and Man in the Holocene--as well as his cynical meditations, fictions, incidents, conversations, meetings, newspaper headlines and dark fantasies--anything, in short, that the author found significant. Drafts for a Third Sketchbook treats the reader to an even more personal document. Unpublished at the time of Frisch's death, this collection was edited by Peter von Matt, president of the Max Frisch Foundation, with an eye toward expanding our knowledge of this legendary writer's last days. Ranging from a couple of sentences to several pages, the sketches collected in this volume recall the United States of the Reagan years and the author's own growing sense of age as both the threat of nuclear war and some of his most treasured friendships pass on. Representing an unusually personal vista onto the world as Frisch knew it, this is a wonderful self-portrait of an extraordinary intelligence.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.92)
0.5
1 1
1.5
2
2.5
3
3.5 1
4 1
4.5
5 3

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 204,808,897 livres! | Barre supérieure: Toujours visible