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Chargement... White Egretspar Derek Walcott
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. The writing in these is lovely, but another reviewer described this volume as "whiny," and it certainly read like that at times. Old age, the dissipation of talent (or worry over such), and the loss of friends and muses are doubtless enough to make one whiny, but I didn't particularly enjoy reading poem after poem about it. ( ) These poems are clearly the product of his later years (this book first came out in 2010) - the themes of aging and dying are pronounced throughout. I would love to now read some of his earlier work for comparison. I love the way Walcott uses color and images from nature in his poetry, especially the egrets that appear in many of these poems. I will just quote the closing sentences from the second verse of the poem "In the Village" about Greenwich Village in New York City: " ... It is the hell of ordinary, unrequited love. Watch those egrets trudging the lawn in a dishevelled troop, white banners trailing forlornly; they are the bleached regrets of an old man's memoirs, printed stanzas showing their hinged wings like wide open secrets." Latin name -Ardea alba Family - Bitterns and herons(Ardeidae) The Great White Egret, is almost identical to little Egrets, but obviously they are much larger – around the same size as a Grey Heron. The identification features to be aware of are, black feet as opposed to yellow, and a yellow beak (in juvenile and non-breeding plumage), they also use a different fishing technique like that of the grey heron, living off fish, insects and frogs, caught by spearing with its long, sharp beak. White Egrets is also the title of the Fourteenth collection of poetry from Derek Walcott. Born in St Lucia in 1930, he studied at the University College of the West Indies (Kingston, Jamaica). Walcott published his first poem at 14 and by 19 had self-published his two first collections - 25 Poems (1948) and Epitaph for the Young: XII Cantos (1949) which he distributed himself. But it was his collection - In a Green Night: Poems 1948-1960 (1962) exploring the Caribbean and it’s history in a colonialist and post-colonialist context that saw him gain an international public profile. He has since published eight collections of plays, a collection of essays, as well as his volumes of poetry, including an epic poem (Omeros), in which he invokes the spirit and people of his homeland through Homer’s Iliad and Odyssey. In 1992 he won the Nobel Prize for Literature, he is also an honorary member of the American Academy and the Institute of Arts and Letters. This his latest collection won this years T.S. Eliot Prize for Poetry, the chair for this years prize was Anne Stevenson & she said that "the judges felt that Derek Walcott's White Egrets was a moving, risk-taking and technically flawless book by a great poet." In this collection of poetry, “Derek Walcott treats his characteristic subjects – the Caribbean’s complex colonial legacy, the Western artistic tradition, the blessings and withholdings of old Europe (Andalucía, the Mezzogiorno, Amsterdam), the unaccommodating sublime of the new world, times cunning passages, the poets place in all of this – with a passionate intensity and drive that rivals his greatest work” . Yet reading these poems you soon realise another figure stalks the landscape, that with the passing of time, there’s loss, there’s death, whether this is of friends, or the death of love, or just unrequited love, stillborn with regret. In these beautiful poems you get visions of a man looking back on his life, looking back with regret, with humour, but looking back from the perspective that this may be his last call, but this is a not a legacy, there is too much passion for that. http://parrishlantern.blogspot.co.uk/2011/05/white-egrets-by-derek-walcott.html aucune critique | ajouter une critique
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In this work, the poet treats the characteristic subjects of his career, the Caribbean's complex colonial legacy, his love of the Western literary tradition, the wisdom that comes through the passing of time, the always strange joys of new love, and the sometimes terrifying beauty of the natural world, with an intensity and drive that recall his greatest work. Through the mesmerizing repetition of theme and imagery, he creates an almost surflike cadence, broadening the possibilities of rhyme and meter, poetic form and language. This work is a moving new collection from one of the most important poets of the twentieth century, a celebration of the life and language of the West Indies. It is also a triumphant paean to beauty, love, art, and, perhaps most surprisingly, getting older. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)811.54Literature English (North America) American poetry 20th Century 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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