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Chargement... Qu'avons-nous fait de nos rêves ? (2010)par Jennifer Egan
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Un pari narratif intéressant mais trop compliqué au final. Les histoires s'entrelacent mais n'offrent qu'une vision parcellaire et complexe des sujets et des personnages, sans éclairer sur l'objet plus vaste. Inabouti à mon goût. ( )
It is neither a novel nor a collection of short stories, but something in between: a series of chapters featuring interlocking characters at different points in their lives, whose individual voices combine to a create a symphonic work that uses its interconnected form to explore ideas about human interconnectedness. This is a difficult book to summarise, but a delight to read, gradually distilling a medley out of its polyphonic, sometimes deliberately cacophonous voices. Readers will be pleased to discover that the star-crossed marriage of lucid prose and expertly deployed postmodern switcheroos that helped shoot Egan to the top of the genre-bending new school is alive in well in this graceful yet wild novel. We begin in contemporaryish New York with kleptomaniac Sasha and her boss, rising music producer Bennie Salazar, before flashing back, with Bennie, to the glory days of Bay Area punk rock, and eventually forward, with Sasha, to a settled life. By then, Egan has accrued tertiary characters, like Scotty Hausmann, Bennie's one-time bandmate who all but dropped out of society, and Alex, who goes on a date with Sasha and later witnesses the future of the music industry. Egan's overarching concerns are about how rebellion ages, influence corrupts, habits turn to addictions, and lifelong friendships fluctuate and turn. Or as one character asks, How did I go from being a rock star to being a fat fuck no one cares about? Egan answers the question elegantly, though not straight on, as this powerful novel chronicles how and why we change, even as the song stays the same. Jennifer Egan’s new novel is a moving humanistic saga, an enormous nineteenth-century-style epic brilliantly disguised as ironic postmodern pastiche. It has thirteen chapters, each an accomplished short story in its own right; characters who meander in and out of these chapters, brushing up against one another’s lives in unexpected ways; a time frame that runs from 1979 to the near, but still sci-fi, future; jolting shifts in time and points of view—first person, second person, third person, Powerpoint person; and a social background of careless and brutal sex, careless and brutal drugs, and carefully brutal punk rock. All of this might be expected to depict the broken, alienated angst of modern life as viewed through the postmodern lens of broken, alienated irony. Instead, Egan gives us a great, gasping, sighing, breathing whole. Although shredded with loss, “A Visit From the Goon Squad” is often darkly, rippingly funny. Egan possesses a satirist’s eye and a romance novelist’s heart. If Jennifer Egan is our reward for living through the self-conscious gimmicks and ironic claptrap of postmodernism, then it was all worthwhile. Her new novel, "A Visit From the Goon Squad," is a medley of voices -- in first, second and third person -- scrambled through time and across the globe with a 70-page PowerPoint presentation reproduced toward the end. I know that sounds like the headache-inducing, aren't-I-brilliant tedium that sends readers running to nonfiction, but Egan uses all these stylistic and formal shenanigans to produce a deeply humane story about growing up and growing old in a culture corroded by technology and marketing. And what's best, every movement of this symphony of boomer life plays out through the modern music scene, a white-knuckle trajectory of cool, from punk to junk to whatever might lie beyond. My only complaint is that "A Visit From the Goon Squad" doesn't come with a CD. Appartient à la sérieGoon Squad (1) Appartient à la série éditorialeKeltainen kirjasto (432) Keltainen pokkari (60)
Sasha a une petite trentaine. Elle vivote a New York, apres avoir quitte son poste d'assistante de production dans une grande maison de disques. On la decouvre sur le canape de son psychotherapeute, tentant de regler son probleme de kleptomanie et de remettre de l'ordre dans sa vie. Sans amis, sans travail, elle est une ame solitaire et predatrice. Bennie, lui, a la quarantaine passee. Ancien producteur star des Conduits, un groupe de rock emblematique, il se contente desormais d'editer des tubes insipides. Divorce, il essaie d'entretenir des liens avec son fils, sans trop y parvenir. Deprime, il n'arrive meme plus a avoir la moindre erection.D'une ecriture aceree, Jennifer Egan nous plonge dans la conscience et l'histoire de ces deux personnages dont les chemins un jour se sont croises. Jeune homme timide, Bennie se passionna pour le punk, dans un San Francisco debride. Adolescente au temperament fougueux, Sasha partit pour Naples afin d'oublier des parents destructeurs. Une foule de personnages jalonnent leur existence, qu'il s'agisse de Lou Kline, le mentor allume de la bande, ou de l'oncle de Sasha, un homme au bord du gouffre.Ces histoires de vie s'enchainent, des personnalites tres fortes se degagent, une veritable tension nait autour de leurs destinees. En restituant le passage du temps et les aleas du desir, Jennifer Egan ausculte notre capacite a avancer et a devenir ce que nous sommes, sans rien nier du passe." Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.54Literature English (North America) American fiction 20th Century 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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