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The Stranger at the Palazzo d'Oro (2004)

par Paul Theroux

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2363114,308 (3.33)3
"This is my only story. Now that I am sixty I can tell it." He, the narrator, was a twenty-one-year-old art student traveling the world. She was a countess -- apparently cold, haughty, and inaccessible -- traveling with Haroun, her ambiguous companion. When the young man makes their acquaintance at a hotel in Sicily, he finds himself filled with unexpected lust and playing a part in something he doesn't quite understand. Filled with Theroux's typically effortless but devastating descriptions of people and places, The Stranger at the Palazzo d'Oro is a brilliant portrayal of aging and decay, a shocking tale of sensuality in a golden age. The thrill and risk of pursuit and desire mark the accompanying stories of the sexual awakening and rites of passage of a Boston boyhood, the ruin of a writer in Africa, and the bewitchment of a retiree in Hawaii. This is Paul Theroux at his most allusive and wise, writing with a deep understanding of the frailties of men and boys.… (plus d'informations)
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I've generally liked Paul Theroux, both his fiction and travel writing, but this collection of stories fell rather flat for me. The only one I really liked was Holy Week, the first of four in The Judas Memoir, but the rest took strange turns mostly involving very strange sex acts. Yes, the writing is good and it is very evocative but mostly put me into a time and place and characters I didn't enjoy. This may be bound for Bookcrossing.
  amyem58 | Dec 31, 2017 |
Deep emotional, insightful writings into the hearts of boys and men whilst exploring issues of lust, control, love, romance, memory. ( )
  mana_tominaga | Mar 6, 2007 |
read 2023
  AbneyLibri | Jul 22, 2023 |
3 sur 3
Meanwhile, Theroux can’t stay away from travel or sex for long, and in “An African Story,” an older, white South African farmer gets involved with a black woman and, sure enough, discovers her to need punishment: “sex is about power.” Material that still leaves you wishing Theroux would chuck the imagineering and get his cantankerous self back on the road.
ajouté par John_Vaughan | modifierKirkus (Jul 21, 2011)
 
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Eine Schlange kroch an meinen Wassertrog
an einem glühend heißen Tag
– so heiß, ich trug den Schlafanzug –
um dort zu trinken.
D.H. Lawrence
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Dies ist meine einzige Geschichte. Jetzt, mit sechzig, kann ich sie erzählen.
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"This is my only story. Now that I am sixty I can tell it." He, the narrator, was a twenty-one-year-old art student traveling the world. She was a countess -- apparently cold, haughty, and inaccessible -- traveling with Haroun, her ambiguous companion. When the young man makes their acquaintance at a hotel in Sicily, he finds himself filled with unexpected lust and playing a part in something he doesn't quite understand. Filled with Theroux's typically effortless but devastating descriptions of people and places, The Stranger at the Palazzo d'Oro is a brilliant portrayal of aging and decay, a shocking tale of sensuality in a golden age. The thrill and risk of pursuit and desire mark the accompanying stories of the sexual awakening and rites of passage of a Boston boyhood, the ruin of a writer in Africa, and the bewitchment of a retiree in Hawaii. This is Paul Theroux at his most allusive and wise, writing with a deep understanding of the frailties of men and boys.

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