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The Scarlet Contessa

par Jeanne Kalogridis

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24813107,715 (3.47)6
Daughter of the Duke of Milan and wife of the conniving Count Girolamo Riario, Caterina Sforza was the bravest warrior Renaissance Italy ever knew. She ruled her own lands, fought her own battles, and openly took lovers whenever she pleased.Her remarkable tale is told by her lady-in-waiting, Dea, a woman knowledgeable in reading the "triumph cards," the predecessor of modern-day Tarot. As Dea tries to unravel the truth about her husband's murder, Caterina single-handedly holds off invaders who would steal her title and lands. However, Dea's reading of the cards reveals that Caterina cannot withstand a third and final invader-none other than Cesare Borgia, son of the corrupt Pope Alexander VI, who has an old score to settle with Caterina. Trapped inside the Fortress at Ravaldino as Borgia's cannons pound the walls, Dea reviews Caterina's scandalous past and struggles to understand their joint destiny, while Caterina valiantly tries to fight off Borgia's unconquerable army.… (plus d'informations)
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» Voir aussi les 6 mentions

Affichage de 1-5 de 13 (suivant | tout afficher)
Unlikeable heroine plus too many sex scenes for my taste. ( )
  janerawoof | Nov 22, 2020 |
Let me take a moment to observe, very gratefully, that this has got to be one of the most misleading book covers I've encountered in quite a while. Sing hosannah! When I got a proper look at it, I felt I'd made a dreadful mistake and ordered some ridiculous softcore porn "romance" novel that was only sort of about Caterina Sforza, badass military bee-hatch of the Italian Renaissance.

Whew! Especially since The Scarlet Contessa seemed to be the only novel -- indeed, the only book -- devoted to Sforza that I could find after wondering what the hell kind of possibly-just-anachronistic-but-wouldn't-it-be-awesome-if-not hot chick in armor riding with the "bad" guys Gina McKee was supposed to be in The Borgias.

For a lot of the novel, though, Caterina is barely present. Much in the way Diana Paxon's The White Raven told the legend of Tristan and Isolde/Iseult from the point of view of the princess' maidservant, The Scarlet Contessa is mostly about Caterina's lady-in-waiting, Dea, a woman of even more dubious origins than Caterina (Caterina was a Duke's bastard daughter, but Renaissance Italy didn't make as big a deal about that as some cultures. As might be expected of a place and a time in which a supposedly celebate Pope made his son the commander of the papal armies and stuff) and who has a preternatural gift for reading Tarot cards. Which means the first third of the book is pretty much a giant foreshadowing yawn fest.

I guess I should have taken our lady-in-waiting's name -- Dea means "goddess" I do believe -- as a warning. There isn't quite enough supernatural/magical claptrap to make this a fantasy novel, but it comes awfully close. Dea inherited her murdered mother's "gift" with the Tarot, which gift seems to involve her not only reading the cards but also projecting herself bodily into their images (i.e. almost getting hit by falling masonry from the Tower card, which comes up over and over to make sure we Get It). In addition, Dea performs rituals to "find her angel" in the best New Agey bulldada tradition. This goes on for ages and pages until the non-New Age reader wants to Throw Up.

And of course everything Dea's Tarot cards predict Comes True. Quite literally. So, e.g., when the Two of Cups turns up in a reading, the promised lover shows up with a gift of two golden goblets. And of course Caterina -- remember, this is sort of supposed to maybe be a novel about Caterina? -- here presented as the most spoiled young woman ever, must have Dea by her side at all times so she can get a reading whenever she wishes. Huh what?

In the "further reading" section at the end of this book is a short -- unpardonably short! -- list of books that contain more information about the Lady of Forli, none of which are recent at all and so are most likely out of print. Sing hosannah I live in the Age of the Internet and can track down copies of those with relative ease, because if there's one thing I want to do after reading this book, it's read a better book about this fascinating woman.

I wish Jean Plaidy had written about her. ( )
  KateSherrod | Aug 1, 2016 |
Whilst not as enjoyable as "Painting Mona Lisa" by the same author, this is still an enjoyable historical novel set in Renaissance Italy although the middle of the story dragged a bit. ( )
  HeatherLINC | Jan 22, 2016 |
This was a very easy historical novel to get swept away in. From the start it drops you right into a dire situation which portends to only get worse for Caterina & is relayed to us by her closest attendant, Dea. I found Caterina an interesting woman. She had some aspects of her personality that were tough to love also she also displayed courage & steely determination. She was quite vivid & real & I loved watching her evolve throughout the book. For Dea's part, she was the anchoring heart of the story, for me. Her life winding along with Caterina's was fascinating to watch & though I figured out the twist of her marriage early on, I liked how that thread played out. I found that I really enjoyed the triumph cards & how they figured into Dea & Caterina's fates. I'm not too much for the supernatural aspect in my historical fiction but it really worked for me here. This was my first read by Kalogridis & I will happily read more of her works. ( )
  anissaannalise | Jan 1, 2014 |
Bella l'ambientazione storica e molto avvincente la storia! ( )
  Claudy73 | Nov 14, 2013 |
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Daughter of the Duke of Milan and wife of the conniving Count Girolamo Riario, Caterina Sforza was the bravest warrior Renaissance Italy ever knew. She ruled her own lands, fought her own battles, and openly took lovers whenever she pleased.Her remarkable tale is told by her lady-in-waiting, Dea, a woman knowledgeable in reading the "triumph cards," the predecessor of modern-day Tarot. As Dea tries to unravel the truth about her husband's murder, Caterina single-handedly holds off invaders who would steal her title and lands. However, Dea's reading of the cards reveals that Caterina cannot withstand a third and final invader-none other than Cesare Borgia, son of the corrupt Pope Alexander VI, who has an old score to settle with Caterina. Trapped inside the Fortress at Ravaldino as Borgia's cannons pound the walls, Dea reviews Caterina's scandalous past and struggles to understand their joint destiny, while Caterina valiantly tries to fight off Borgia's unconquerable army.

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