Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.
Résultats trouvés sur Google Books
Cliquer sur une vignette pour aller sur Google Books.
Fantasy.
Fiction.
HTML:The music came back up and the next group of little girls, slightly older, came out. There was a lot of that in the next hour and change. I liked dance, and it was no reflection on the kids, but my will to live began to seep away on about the fifth group of sequined children...
Anita Blake is back in St. Louis and trying to live a normal life-as normal as possible for someone who is a legal vampire executioner and a U. S. Marshal. There are lovers, friends and their children, school programs to attend. In the midst of all the ordinary happiness a vampire from Anita's past reaches out. She was supposed to be dead, killed in an explosion, but the Mother of All Darkness is the first vampire, their dark creator. It's hard to kill a god. This dark goddess has reached out to her here-in St. Louis, home of everyone Anita loves most. The Mother of All Darkness has decided she has to act now or never, to control Anita, and all the vampires in America.
The Mother of All Darkness believes that the triumvirate created by master vampire Jean-Claude with Anita and the werewolf Richard Zeeman has enough power for her to regain a body and to immigrate to the New World. But the body she wants to possess is already taken. Anita is about to learn a whole new meaning to sharing her body, one that has nothing to do with the bedroom. And if the Mother of All Darkness can't succeed in taking over Anita's body for herself, she means to see that no one else has the use of it, ever again. Even Belle Morte, not always a friend to Anita, has sent word: "Run if you can...".… (plus d'informations)
Beaucoup, beaucoup, beaucoup de sexe. On retombe sur un tome où au final à côté de ça il ne se passe pas grand chose. Je dois dire que les tomes du début me manquent. Il y avait des enquêtes policières, de l'action et beaucoup moins de chichi émotionnel (beaucoup moins d'amants aussi). Après je ne dis pas, des choses se mettent en place, on voit de nouvelles connexions et on revoit certains personnages qu'on a pu croisé par ailleurs mais dans l'ensemble, il s'agit plus d'une mise en place pour le (ou les) tomes qui vont arrivés plutôt qu'une véritable histoire en soi. Je m'attendais, quitte à voir des anciens visages ou anciens noms, à croiser Edward, surtout en apprenant le contrat sur la tête d'Anita et des autres mais il est étrangement aux abonnés absents... Tout comme les autres humains de la vie d'Anita, on ne les voit plus du tout et c'est dommage. Sa vie à l'air de tourner vraiment plus qu'autour de ses pouvoirs vampires/necro/métamorphes et le reste, même son boulot, on ne le voit plus vraiment et c'est tellement dommage ! En conclusion, c'est un tome vraiment moyen, je ne garde vraiment que les quelques informations qu'on a pu glaner sur Très Chère Maman et le moyen (éventuel) de la stopper mais c'est tout, le reste est quelque part anecdotique. En espérant que le tome 20 saura se rattraper ! ( )
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
"One mustn't look at the abyss, because there is at the bottom an inexpressible charm which attracts us." - Gustave Flaubert
Dédicace
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
To Jonathon, who has stood at my side and looked into the abyss and found both charm, attraction, and love, for we are not made up of only our light and happiness but also of darkness and sorrow. To deny the darkness of yourself is to deny half of who you are, and when you love, truly love, you need to love the whole person not just the part that smiles and waves, but the part that thinks murderous thoughts and knows that pain is both pleasure and temptation, but still thinks puppies are really cute.
Premiers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
I was worming my way through a mass of parents and children with a tiny clown hat clutched in one hand.
Citations
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
If I had ever wanted to give in to hysterics, it was then. How do you fight something with no body to kill? How do you fight something that can possess the most powerful vampires in the world and use them like puppets? How the fuck does anyone fight something like that?
Derniers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
I'm not fond enough of my own eyes to want to see them in someone else's face.
Fantasy.
Fiction.
HTML:The music came back up and the next group of little girls, slightly older, came out. There was a lot of that in the next hour and change. I liked dance, and it was no reflection on the kids, but my will to live began to seep away on about the fifth group of sequined children...
Anita Blake is back in St. Louis and trying to live a normal life-as normal as possible for someone who is a legal vampire executioner and a U. S. Marshal. There are lovers, friends and their children, school programs to attend. In the midst of all the ordinary happiness a vampire from Anita's past reaches out. She was supposed to be dead, killed in an explosion, but the Mother of All Darkness is the first vampire, their dark creator. It's hard to kill a god. This dark goddess has reached out to her here-in St. Louis, home of everyone Anita loves most. The Mother of All Darkness has decided she has to act now or never, to control Anita, and all the vampires in America.
The Mother of All Darkness believes that the triumvirate created by master vampire Jean-Claude with Anita and the werewolf Richard Zeeman has enough power for her to regain a body and to immigrate to the New World. But the body she wants to possess is already taken. Anita is about to learn a whole new meaning to sharing her body, one that has nothing to do with the bedroom. And if the Mother of All Darkness can't succeed in taking over Anita's body for herself, she means to see that no one else has the use of it, ever again. Even Belle Morte, not always a friend to Anita, has sent word: "Run if you can...".
▾Descriptions provenant de bibliothèques
Aucune description trouvée dans une bibliothèque
▾Description selon les utilisateurs de LibraryThing
Je m'attendais, quitte à voir des anciens visages ou anciens noms, à croiser Edward, surtout en apprenant le contrat sur la tête d'Anita et des autres mais il est étrangement aux abonnés absents... Tout comme les autres humains de la vie d'Anita, on ne les voit plus du tout et c'est dommage. Sa vie à l'air de tourner vraiment plus qu'autour de ses pouvoirs vampires/necro/métamorphes et le reste, même son boulot, on ne le voit plus vraiment et c'est tellement dommage !
En conclusion, c'est un tome vraiment moyen, je ne garde vraiment que les quelques informations qu'on a pu glaner sur Très Chère Maman et le moyen (éventuel) de la stopper mais c'est tout, le reste est quelque part anecdotique. En espérant que le tome 20 saura se rattraper ! ( )