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For the Soul of France: Culture Wars in the Age of Dreyfus

par Frederick Brown

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1935140,657 (4.03)2
Cultural historian Frederick Brown provides a portrait of fin-de-sic̈le France, whose defeat by Prussia in the Franco-Prussian War of 1870-71 resulted in a virtual civil war, waged without restraint, which toppled Napoléon III, crushed the Paris Commune, and provoked a dangerous nationalism that gripped the Republic. In the face of humiliation by Prussia, postwar France dissolved into two cultural factions: moderates, proponents of a secular state, and reactionaries--militant, Catholic, royalist--who felt that France had suffered defeat for having betrayed its true faith. A bitter debate took hold of the heart and soul of the country, framed by the vision of "science" and "technological advancement" versus "supernatural intervention." The roiling conflicts that began thirty years before Dreyfus did not end with his exoneration in 1900--instead they became the festering point that led to France's surrender to Hitler's armies in 1940.--From publisher description.… (plus d'informations)
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5 sur 5
An insightful look into the french political landscape after the Franco-Prussian war. The epic struggle between Republicanism and Conservative Clericalism. Monarchism, Bonepartism, Secularism, all play their role, with varying degrees of success. From Boulanger's delusions of grandeur, to the Eiffel tower and the Dreyfus affair, the conflicts in the struggle for "the soul of France' in Fin-de-siecle France play out in a seesaw battle that, despite knowing the eventual outcome, leaves the reader guessing. I devoured this book. ( )
  skid0612 | Mar 21, 2024 |
A model of popular history: responsible, broad, with great narrative drive, but also a fine eye for scenes and details. It's the sort of history book I can't wait to re-read. ( )
  stillatim | Oct 23, 2020 |
A good read of French social history as France recovers from the disaster of the Franco Prussian War. As defeat sinks in, French society focuses inward to find answers only to split into factions failing to heal as it lurches to the disaster of the First World War & its final humiliation in 1940 ( )
  wcsdm3 | Oct 8, 2012 |
If you thought that the Dreyfus Affair was the fons et origo of anti-Semitism in France, or that the Kulturkampf was just a phenomenon relegated to Bismarck’s imperial Germany, this book may just very well be the place to begin a solid education in late nineteenth-century French cultural history. Brown assumes a minimal knowledge of the politics of the time (First Empire, Second Republic, Third Empire, et cetera), but provides a useful chronology at the beginning of the book and adds just enough political background to keep the narrative both clear and engaging. The use of the words “culture war” in the subtitle is by no means a cynical ploy to attract readers, either. The words and the politics to which they give so theatrical a birth were just as relevant then as they ever have been.

The tug-of-war between Catholicism and the allied forces of modernity, science, and secularism sandwiched between the times of Louis-Philippe and Napoleon III dominate the book. Any vignette to begin with would have admittedly been arbitrarily chosen, but Brown’s choice of the 1863 publication of Ernst Renan’s “La Vie de Jesus” (“The Life of Jesus”) serves as a terrific and illustrative point of departure for a book whose major themes include Renan’s strident anti-clericalism.

Brown also includes a couple of stories that are unfortunately little-known in the United States, but that give hints of the growing violence and division that is to come. He tells of the Union Generale, an investment syndicate launched by aristocratic, pro-Catholic associates that went on to build railroads all over Europe. Due to rampant speculation and financial impropriety on the part of the man who ran the operation, it suffered a tremendous failure – also known as the Paris Bourse crash – in January, 1882. Perhaps not surprisingly considering the events to come, the first people to be blamed were the Jews. We get detailed chapters of the building of the Panama Canal and the 1897 fire at the Charity Bazaar as well, but the heart of the book is a 55-page long chapter on perhaps the one event – or rather a long, complex series of events – that is familiar to all Americans: the Dreyfus Affair.

Woven together, these bits of history provide one of a few tapestries that really are essential for understanding the French history of this period. For someone unfamiliar with the major names and events, I recommend Robert Gildea’s “Children of the Revolution: The French, 1799-1914,” which provides much of the political background that Brown can’t cover in a brief 265 pages. Brown has a tremendous grasp of the source material. I highly recommend this to readers looking for a great bridge between popular and more formal academic history regarding this period. Reading this makes me want to pick up the Brown’s Flaubert biography that I have on my shelves – or anything else that I can find by him. ( )
2 voter kant1066 | Aug 29, 2012 |
This is a history of ideas and of culture in France between the end of the Franco-Prussian War in 1871 and the end of the nineteenth century. It encompasses events ranging from the influence of the Catholic church on politics to the building of the Eiffel Tower and the unsuccessful attempt of De Lesseps to build the Panama Canal. One theme is scandals and there is a Banking scandal that rivals any in history, but the culmination of the book and the moment that defines France more than any other as it moves forward into the next century is the Dreyfus Affair. With a chapter devoted to each of the events chronicled and a detailed Chronology of events Frederick Brown's cultural history of France is an excellent introduction to the forces that shaped France in this period. I highly recommend this book to anyone interested in French cultural history ( )
  jwhenderson | Jun 22, 2010 |
5 sur 5
As the historical-scholarship industry expands, certain subjects, and not only the most interesting ones, have become so weighed down with bibliography that the historian wishing to create a coherent picture of a famous epoch, episode, or personage will soon be as overwhelmed as a man trying to hack his way through the Amazon with a pair of nail scissors. To remind us just what attracted so many writers to these subjects in the first place—to reanimate corpses that seem thoroughly vulturized—thus becomes a difficult challenge, one rarely met as well as in Frederick Brown’s sweeping reevaluation of late-nineteenth-century France.
ajouté par Shortride | modifierHarper's Magazine, Benjamin Moser (payer le site) (Jan 1, 2010)
 
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Cultural historian Frederick Brown provides a portrait of fin-de-sic̈le France, whose defeat by Prussia in the Franco-Prussian War of 1870-71 resulted in a virtual civil war, waged without restraint, which toppled Napoléon III, crushed the Paris Commune, and provoked a dangerous nationalism that gripped the Republic. In the face of humiliation by Prussia, postwar France dissolved into two cultural factions: moderates, proponents of a secular state, and reactionaries--militant, Catholic, royalist--who felt that France had suffered defeat for having betrayed its true faith. A bitter debate took hold of the heart and soul of the country, framed by the vision of "science" and "technological advancement" versus "supernatural intervention." The roiling conflicts that began thirty years before Dreyfus did not end with his exoneration in 1900--instead they became the festering point that led to France's surrender to Hitler's armies in 1940.--From publisher description.

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